Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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... morning view . " On the other hand , Cole , like any other wood- land lover , did not need literary or theoretical justification to want to paint one of the grand na- ture experiences , the sunrise . In his essay " The Bewilderment ...
... morning view . " On the other hand , Cole , like any other wood- land lover , did not need literary or theoretical justification to want to paint one of the grand na- ture experiences , the sunrise . In his essay " The Bewilderment ...
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... ( Morning ) and included a bridge and part of the aqueduct called the Arch of Nero . This painting reveals the lessons Cole learned from his study of European art . Forms are smaller in scale than be- fore , permitting a greater breadth ...
... ( Morning ) and included a bridge and part of the aqueduct called the Arch of Nero . This painting reveals the lessons Cole learned from his study of European art . Forms are smaller in scale than be- fore , permitting a greater breadth ...
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... Morning , " 36 Mount Aetna from Taormina , 70 , 71 Mount Desert , Maine , 8 Mount Etna , 15 The Mountain Ford , 74 , 74-75 Mountain House , Catskill Mountain Morning , 32 Mountaintop views , 19 Naples , Bay of , 8 , 19 National Academy ...
... Morning , " 36 Mount Aetna from Taormina , 70 , 71 Mount Desert , Maine , 8 Mount Etna , 15 The Mountain Ford , 74 , 74-75 Mountain House , Catskill Mountain Morning , 32 Mountaintop views , 19 Naples , Bay of , 8 , 19 National Academy ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City