Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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... Nature were both published in 1836. They had surpris- ingly less in common than one might imagine , however . Cole , in his poetry , often considered his mortality ; he grew older , but the seasons contin- ually renewed themselves . In ...
... Nature were both published in 1836. They had surpris- ingly less in common than one might imagine , however . Cole , in his poetry , often considered his mortality ; he grew older , but the seasons contin- ually renewed themselves . In ...
Strana 26
... nature to divinity . For Emerson , nature and divinity were the same , and through the one he could sense the other as an immanent force . Cole's increasing religious concerns during the 1840s naturally affected his landscape painting ...
... nature to divinity . For Emerson , nature and divinity were the same , and through the one he could sense the other as an immanent force . Cole's increasing religious concerns during the 1840s naturally affected his landscape painting ...
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... nature and its total indifference to the individual , Cole may have needed to personify aspects of nature in order to bring it into some kind of relationship with himself . Just as the Greeks , and others , per- sonified aspects of nature ...
... nature and its total indifference to the individual , Cole may have needed to personify aspects of nature in order to bring it into some kind of relationship with himself . Just as the Greeks , and others , per- sonified aspects of nature ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City