Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
Vyhledávání v knize
Výsledky 1-3 z 9
Strana 13
... never to have seen , as late as 1827 , a good European landscape painting , since he was then able to create works that de- spite the influence of European thought were still tied directly to the American landscape . In the previous ...
... never to have seen , as late as 1827 , a good European landscape painting , since he was then able to create works that de- spite the influence of European thought were still tied directly to the American landscape . In the previous ...
Strana 38
... never touched by axe , along the banks of streams never deformed by culture , and into the depth of skies bright with the hues of our own climate ... and through the transparent abysses of which it seemed that you might send an arrow ...
... never touched by axe , along the banks of streams never deformed by culture , and into the depth of skies bright with the hues of our own climate ... and through the transparent abysses of which it seemed that you might send an arrow ...
Strana 68
... never existed . It is an imaginative creation , not re - creation , of a time of innocence . Childhood should have been , but never really was , like this . Of all of Cole's works of the 1840s , this one most nearly catered to the rural ...
... never existed . It is an imaginative creation , not re - creation , of a time of innocence . Childhood should have been , but never really was , like this . Of all of Cole's works of the 1840s , this one most nearly catered to the rural ...
Běžně se vyskytující výrazy a sousloví
American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City