Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 13
... object rather than its particular shape , even though he often made incredibly detailed sketches on the site . On at least two occasions he described his in- tentions clearly . In a letter to Gilmor , written in May 1835 , Cole said ...
... object rather than its particular shape , even though he often made incredibly detailed sketches on the site . On at least two occasions he described his in- tentions clearly . In a letter to Gilmor , written in May 1835 , Cole said ...
Strana 46
... objects in the near and middle distances . Individual trees and bushes no longer compete with one another for attention but are more a- droitly organized into broad arcs and contained within long arabesques that reach across the pic ...
... objects in the near and middle distances . Individual trees and bushes no longer compete with one another for attention but are more a- droitly organized into broad arcs and contained within long arabesques that reach across the pic ...
Strana 70
... objects with God - made objects , such as the mountain it- self . He reminded the reader of the nobility of constructing buildings that possess grace and beauty as well as visual pleasure for posterity . He saw in the several ancient ...
... objects with God - made objects , such as the mountain it- self . He reminded the reader of the nobility of constructing buildings that possess grace and beauty as well as visual pleasure for posterity . He saw in the several ancient ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City