Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 13
... painting are clear and easy to read , and it appears as if abrupt drops into endless space lurk in the uneven ter- rain behind rock outcroppings or clumps of trees . T HESE PAINTINGS mir- ror an odd union of refinement of feeling ...
... painting are clear and easy to read , and it appears as if abrupt drops into endless space lurk in the uneven ter- rain behind rock outcroppings or clumps of trees . T HESE PAINTINGS mir- ror an odd union of refinement of feeling ...
Strana 26
... paintings and ignored Cole's moral messages . Others , such as Jasper Cropsey , con- centrated on describing the colors of the Ameri- can landscape . Few were interested in weighting landscape painting with as much religious and moral ...
... paintings and ignored Cole's moral messages . Others , such as Jasper Cropsey , con- centrated on describing the colors of the Ameri- can landscape . Few were interested in weighting landscape painting with as much religious and moral ...
Strana 34
... painting , looking east toward the Berkshires in Massachusetts , Cole painted an advancing storm . A side of one moun- tain is in shadow , while on the southern face of the other mountain , autumn foliage is still brilliantly lit. As if ...
... painting , looking east toward the Berkshires in Massachusetts , Cole painted an advancing storm . A side of one moun- tain is in shadow , while on the southern face of the other mountain , autumn foliage is still brilliantly lit. As if ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City