Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
Vyhledávání v knize
Výsledky 1-3 z 8
Strana 52
... Pastoral State to the left and Destruction and Desolation to the right ( see Plate 14 and Fig- ures 4 , 5 , and 6 ) . He probably appropriated the idea of setting the magnificent city around a la- goon from paintings by Claude Lorrain ...
... Pastoral State to the left and Destruction and Desolation to the right ( see Plate 14 and Fig- ures 4 , 5 , and 6 ) . He probably appropriated the idea of setting the magnificent city around a la- goon from paintings by Claude Lorrain ...
Strana 58
... Pastoral State from The Course of Empire when Luman Reed suggested in 1836 that he turn to idyllic scenes . The artist completed such a work two years later and then painted several versions afterward . ( Other examples are in the ...
... Pastoral State from The Course of Empire when Luman Reed suggested in 1836 that he turn to idyllic scenes . The artist completed such a work two years later and then painted several versions afterward . ( Other examples are in the ...
Strana
... Pastoral State , see The Course of Empire Pastoral themes , 58 The Pathfinder ( Cooper ) , 66 Pathfinder series ( Cooper ) , 15 Paulding , James , 40 Peale , Charles Willson , 10 Pennsylvania Academy of the Fine Arts , 8 Il Penseroso ...
... Pastoral State , see The Course of Empire Pastoral themes , 58 The Pathfinder ( Cooper ) , 66 Pathfinder series ( Cooper ) , 15 Paulding , James , 40 Peale , Charles Willson , 10 Pennsylvania Academy of the Fine Arts , 8 Il Penseroso ...
Běžně se vyskytující výrazy a sousloví
American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City