Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 26
... rare water- scape , View Across Frenchman's Bay ( Figure 12 ) , represents this new development in his secular works . Forms are more summary , as if they were intended as background for a specific narrative content . And Cole abandoned ...
... rare water- scape , View Across Frenchman's Bay ( Figure 12 ) , represents this new development in his secular works . Forms are more summary , as if they were intended as background for a specific narrative content . And Cole abandoned ...
Strana 66
... rare kind of emptiness in Cole's work , are filled here by his reveries , if not by actual objects . Presumably , in time , the entire aqueduct will return to the earth , all traces gone of its centuries - long existence . Like the ...
... rare kind of emptiness in Cole's work , are filled here by his reveries , if not by actual objects . Presumably , in time , the entire aqueduct will return to the earth , all traces gone of its centuries - long existence . Like the ...
Strana 78
... rare instance when Cole conferred dignity upon the hardworking yeomen who were bringing civilization to the wilds . ( The farmer never received his just deserts at the hands of American painters . ) In contrast to Italian peas- ants ...
... rare instance when Cole conferred dignity upon the hardworking yeomen who were bringing civilization to the wilds . ( The farmer never received his just deserts at the hands of American painters . ) In contrast to Italian peas- ants ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City