Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 30
... reflected the landscape in which they were located , Cole carefully depicted them around the pool's edges as if they were fighting to keep from being hurled over the falls by the strength of the water's flow . Of trees higher up ...
... reflected the landscape in which they were located , Cole carefully depicted them around the pool's edges as if they were fighting to keep from being hurled over the falls by the strength of the water's flow . Of trees higher up ...
Strana 52
... reflected his opinions concerning the future of America . In his journal for August 21 , 1835 , he wrote that he believed the union of states would unravel and that " pure re- publican government " would end . " There is no ...
... reflected his opinions concerning the future of America . In his journal for August 21 , 1835 , he wrote that he believed the union of states would unravel and that " pure re- publican government " would end . " There is no ...
Strana 72
... Reflected lie ! Wouldst thou know peace that lore can ne'er reveal ? Bend o'er the tide , And to thy heart its tranquil clearness feel Serenity glide . " 1 GENESEE SCENERY ( MOUNTAIN LANDSCAPE WITH WATERFALL ) 1847. Oil Plate 29.
... Reflected lie ! Wouldst thou know peace that lore can ne'er reveal ? Bend o'er the tide , And to thy heart its tranquil clearness feel Serenity glide . " 1 GENESEE SCENERY ( MOUNTAIN LANDSCAPE WITH WATERFALL ) 1847. Oil Plate 29.
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City