Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 25
... religion . Although he still painted landscapes , he began to concentrate on religious cycles . These included Sowing and Reaping ; Life , Death and Immortality , a Christianized version of The Course of Empire ; and The Cross and the ...
... religion . Although he still painted landscapes , he began to concentrate on religious cycles . These included Sowing and Reaping ; Life , Death and Immortality , a Christianized version of The Course of Empire ; and The Cross and the ...
Strana 26
... religious concerns during the 1840s naturally affected his landscape painting . By the middle of the decade he had developed what can only be called a salon landscape man- ner . Works such as The Old Mill at Sunset and The Pic - Nic ...
... religious concerns during the 1840s naturally affected his landscape painting . By the middle of the decade he had developed what can only be called a salon landscape man- ner . Works such as The Old Mill at Sunset and The Pic - Nic ...
Strana 42
... religious events might take place or in which , because of its sub- limity , great religious figures might exist . The grandeur of the landscape had to equal the grandeur of the religious association . As Cole wrote in his " Essay on ...
... religious events might take place or in which , because of its sub- limity , great religious figures might exist . The grandeur of the landscape had to equal the grandeur of the religious association . As Cole wrote in his " Essay on ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City