Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
Vyhledávání v knize
Výsledky 1-3 z 27
Strana 15
... scenes in which they are conversant , Americans can scarcely be denied ac- claim to be inspired with some peculiar moral graces by their grand and lovely landscapes . But , moreover , it is beneficial to connect our best in- tellectual ...
... scenes in which they are conversant , Americans can scarcely be denied ac- claim to be inspired with some peculiar moral graces by their grand and lovely landscapes . But , moreover , it is beneficial to connect our best in- tellectual ...
Strana 44
... scenes , then terminating the cycle in scenes of destruction and desolation ( see Plates 14 and 15 and Figures 4 , 5 , and 6 ) . Cole described A Wild Scene , the intended first painting in the set , in the following way : " The first ...
... scenes , then terminating the cycle in scenes of destruction and desolation ( see Plates 14 and 15 and Figures 4 , 5 , and 6 ) . Cole described A Wild Scene , the intended first painting in the set , in the following way : " The first ...
Strana 70
... scenes de- scribed some moral lesson or religious truth . " 89 Cole then mentioned several ; the finiteness of man and his civilizations in face of eternal nature was one . Cole also contrasted man - made objects with God - made objects ...
... scenes de- scribed some moral lesson or religious truth . " 89 Cole then mentioned several ; the finiteness of man and his civilizations in face of eternal nature was one . Cole also contrasted man - made objects with God - made objects ...
Běžně se vyskytující výrazy a sousloví
American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City