Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 13
... seen clearly . This structural device adds emotional wallop , especially in the early works , because it invariably overwhelms the few foreground horizontals . These do not have the visual strength to suggest repose or an easy and ...
... seen clearly . This structural device adds emotional wallop , especially in the early works , because it invariably overwhelms the few foreground horizontals . These do not have the visual strength to suggest repose or an easy and ...
Strana 19
... seen when in England . Panoramas , a type of pictorial enter- tainment invented by Robert Barker in Edinburgh in 1787 , were views , often city scenes , painted principally on long strips of canvas and viewed from a central point in a ...
... seen when in England . Panoramas , a type of pictorial enter- tainment invented by Robert Barker in Edinburgh in 1787 , were views , often city scenes , painted principally on long strips of canvas and viewed from a central point in a ...
Strana 32
... seen in Plate 2 , and I am certain that this is the waterfall now known as Haines Falls . ( Area residents have also identified photographs of it as Haines Falls . ) The two falls are about five miles apart . Cole labeled a char- coal ...
... seen in Plate 2 , and I am certain that this is the waterfall now known as Haines Falls . ( Area residents have also identified photographs of it as Haines Falls . ) The two falls are about five miles apart . Cole labeled a char- coal ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City