Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 10
... thought and art to a variety of intellectual , re- ligious , and social trends of the time . He can also be compared to earlier artists of the colonies and young republic who without formal training de- cided at a youthful age to ...
... thought and art to a variety of intellectual , re- ligious , and social trends of the time . He can also be compared to earlier artists of the colonies and young republic who without formal training de- cided at a youthful age to ...
Strana 13
... thought were still tied directly to the American landscape . In the previous year , 1826 , Cole had expressed his artistic procedures and concerns to an early patron , Robert Gilmor , Jr. , in a celebrated inter- change of letters ...
... thought were still tied directly to the American landscape . In the previous year , 1826 , Cole had expressed his artistic procedures and concerns to an early patron , Robert Gilmor , Jr. , in a celebrated inter- change of letters ...
Strana 15
... thought that the beauty of a scene , say , where a battle took place , could be enhanced by specific associations with national glory . Or an autumn scene might be given increased meaning by a personal remem- brance of a melancholic ...
... thought that the beauty of a scene , say , where a battle took place , could be enhanced by specific associations with national glory . Or an autumn scene might be given increased meaning by a personal remem- brance of a melancholic ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City