Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Výsledky 1-3 z 11
Strana 13
... viewer , as if standing on the brink of a precipice , cannot look at the foreground as an extension of his own space because it is often omitted . In addition , Cole arbitrarily varied sunlit and shaded areas , thus providing hillsides ...
... viewer , as if standing on the brink of a precipice , cannot look at the foreground as an extension of his own space because it is often omitted . In addition , Cole arbitrarily varied sunlit and shaded areas , thus providing hillsides ...
Strana 34
... viewer with the terror of peering into endless , uninhab- ited spaces . The terrain is rocky and broken , but it is tamed within Cole's typical framework of diagonals as well as the artifice of sunlit and shadowed areas . There is just ...
... viewer with the terror of peering into endless , uninhab- ited spaces . The terrain is rocky and broken , but it is tamed within Cole's typical framework of diagonals as well as the artifice of sunlit and shadowed areas . There is just ...
Strana 50
... viewer's perspective is virtually at normal eye level rather than several feet above ground , where Cole usually located it . Second , the com- position is surprisingly balanced , with blasted trees in the left foreground and wind ...
... viewer's perspective is virtually at normal eye level rather than several feet above ground , where Cole usually located it . Second , the com- position is surprisingly balanced , with blasted trees in the left foreground and wind ...
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City