Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
Vyhledávání v knize
Výsledky 1-3 z 8
Strana 25
... wanted in- stead to instruct and warn the public through his cycle paintings . This was a task worthy of an art- ist who wanted to use his art for social betterment and moral uplift . And he was embittered by the fact that he could not ...
... wanted in- stead to instruct and warn the public through his cycle paintings . This was a task worthy of an art- ist who wanted to use his art for social betterment and moral uplift . And he was embittered by the fact that he could not ...
Strana 34
... this painting is both a " real American scene , " which patrons like Robert Gilmor , Jr. , wanted Cole to paint , and a composition , which Cole preferred to make . " LANDSCAPE ( LANDSCAPE WITH TREE TRUNKS ) ca. 1827-28 . 34 Plate 4.
... this painting is both a " real American scene , " which patrons like Robert Gilmor , Jr. , wanted Cole to paint , and a composition , which Cole preferred to make . " LANDSCAPE ( LANDSCAPE WITH TREE TRUNKS ) ca. 1827-28 . 34 Plate 4.
Strana 38
... wanted him to continue painting landscapes instead of narra- tives such as The Voyage of Life . William Cullen Bryant recalled his own enthusiasm for the ear- lier paintings when delivering Cole's funeral ora- tion . These works , he ...
... wanted him to continue painting landscapes instead of narra- tives such as The Voyage of Life . William Cullen Bryant recalled his own enthusiasm for the ear- lier paintings when delivering Cole's funeral ora- tion . These works , he ...
Běžně se vyskytující výrazy a sousloví
American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City