Thomas ColeWatson-Guptill Publications, 1981 - Počet stran: 84 Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting.Considered the founder of the Hudson River School, Cole infused his dramatic portrayals of the American landscape with an aura of grandeur, sublimity, and moral and religious meaning. |
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Strana 10
... Wild , " written about 1826 , Cole wrote : Friends of my heart , lovers of nature's works , Let me transport you to those wild , blue moun- tains the first half of the century , that technique , or the means of art , should be ...
... Wild , " written about 1826 , Cole wrote : Friends of my heart , lovers of nature's works , Let me transport you to those wild , blue moun- tains the first half of the century , that technique , or the means of art , should be ...
Strana 44
... Wild Scene , the intended first painting in the set , in the following way : " The first picture must be a savage wilderness — the sun rising from the ocean & the stormy clouds of night retiring tumultuously over the moun- tains the ...
... Wild Scene , the intended first painting in the set , in the following way : " The first picture must be a savage wilderness — the sun rising from the ocean & the stormy clouds of night retiring tumultuously over the moun- tains the ...
Strana 78
... wilds . ( The farmer never received his just deserts at the hands of American painters . ) In contrast to Italian peas- ants , whom Cole loathed , these American pio- neers are energetically building ... Wild , " New York State 70 Plate 32.
... wilds . ( The farmer never received his just deserts at the hands of American painters . ) In contrast to Italian peas- ants , whom Cole loathed , these American pio- neers are energetically building ... Wild , " New York State 70 Plate 32.
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American Art American Scenery appears artist associations autumn beautiful believed buildings Catskill civilization Cole's completed concerned considered contrast Cooper's Course of Empire cycle described Design detail developed diagonals earlier early Essay European exhibited existed falls feeling Figure Florence foreground forest forms Frederick Church Gilmor Historical Hudson human illustrations imagination important included indicate Institute interest Italy John Lake land landscape least less Letter lines look Magazine meaning mind moral morning mountain Museum of Art nature never object Oil on canvas original painting past Perhaps Picturesque placed Plate poem present probably reflected religious response Return rise River rural savage scape scenes seemed seen spirit Study style sublime suggest themes Thomas Cole thought tion Travels trees ture turn University Valley viewer views Voyage wanted White wild wilderness woods writings wrote York York City