Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - Počet stran: 251 |
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Strana xi
... . II . Shakespeare in the Rôle of the Ghost on the First Production of Hamlet in 1602 25 • III . Shakespeare's Popularity in the Elizabethan Theatre 228 27 29 SHAKESPEARE AND THE ELIZABETHAN PLAYGOER - continued IV . At xi.
... . II . Shakespeare in the Rôle of the Ghost on the First Production of Hamlet in 1602 25 • III . Shakespeare's Popularity in the Elizabethan Theatre 228 27 29 SHAKESPEARE AND THE ELIZABETHAN PLAYGOER - continued IV . At xi.
Strana xiii
... Hamlet with- out Abbreviation IV . Mr Benson as a Trainer of Actors . The Succession to Phelps . PAGE 111 113 116 119 VI THE MUNICIPAL THEATRE I. The True Aim of the Municipal Theatre . II . Private Theatrical Enterprise and Literary ...
... Hamlet with- out Abbreviation IV . Mr Benson as a Trainer of Actors . The Succession to Phelps . PAGE 111 113 116 119 VI THE MUNICIPAL THEATRE I. The True Aim of the Municipal Theatre . II . Private Theatrical Enterprise and Literary ...
Strana 11
... Hamlet , King John , Henry VIII . , The Merchant of Venice , Othello , and Richard III . To these he added in the course of his second season Julius Cæsar , King Lear , and The Winter's Tale . Henry IV . , part I. , Measure for Measure ...
... Hamlet , King John , Henry VIII . , The Merchant of Venice , Othello , and Richard III . To these he added in the course of his second season Julius Cæsar , King Lear , and The Winter's Tale . Henry IV . , part I. , Measure for Measure ...
Strana 26
... no doubt had the great man's self - con- fidence which renders him to a large extent inde- pendent of the opinion of his fellows . At the same THE GHOST IN HAMLET 27 time , the knowledge that 26 THE ELIZABETHAN PLAYGOER.
... no doubt had the great man's self - con- fidence which renders him to a large extent inde- pendent of the opinion of his fellows . At the same THE GHOST IN HAMLET 27 time , the knowledge that 26 THE ELIZABETHAN PLAYGOER.
Strana 27
... Hamlet , the most fascinating of all his works . He himself , we are credibly told , played the Ghost . We would give much for a record of the feelings which lay on the first production of the play beneath the breast of the silent ...
... Hamlet , the most fascinating of all his works . He himself , we are credibly told , played the Ghost . We would give much for a record of the feelings which lay on the first production of the play beneath the breast of the silent ...
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acting actor actor-manager actor-manager system actors and actresses artistic audience Ben Jonson Benson's Betterton biography career character Charles comedy contemporary critical Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Dryden Elizabethan Elizabethan playgoer endeavour England English experience French genius gossip Hamlet Henry histrionic honour imagination interests of dramatic Jonson Julius Cæsar King less literary drama literature London London County Council Lowin Macbeth manager memory ment methods Midsummer Night's Dream modern monument moral municipal theatre nation never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoing playhouse plays of Shakespeare poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise tion tragedy Twelfth Night William Beeston William D'Avenant writing wrote