Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - Počet stran: 251 |
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Strana xiii
... Characters . John of Gaunt III . The Benefit of Performing the Play of Hamlet with- out Abbreviation IV . Mr Benson as a Trainer of Actors . The Succession to Phelps . PAGE 111 113 116 119 VI THE MUNICIPAL THEATRE I. The True Aim of the ...
... Characters . John of Gaunt III . The Benefit of Performing the Play of Hamlet with- out Abbreviation IV . Mr Benson as a Trainer of Actors . The Succession to Phelps . PAGE 111 113 116 119 VI THE MUNICIPAL THEATRE I. The True Aim of the ...
Strana 13
... character , ability , and energy of the actors and actresses . If scenery in Shakespearean productions be relegated to its proper place in the background of the stage , it is necessary that the acting , from top to bottom of the cast ...
... character , ability , and energy of the actors and actresses . If scenery in Shakespearean productions be relegated to its proper place in the background of the stage , it is necessary that the acting , from top to bottom of the cast ...
Strana 17
... character of whom I have the most distinct recollection was Enobarbus , the level - headed and straight - hitting critic of the action -a comparatively subordinate part , which was filled by one of the most distinguished actors of the ...
... character of whom I have the most distinct recollection was Enobarbus , the level - headed and straight - hitting critic of the action -a comparatively subordinate part , which was filled by one of the most distinguished actors of the ...
Strana 19
... characters like Lady Macbeth and Desdemona were adequately rendered by youths beggars belief . But renderings in such conditions proved popular and satisfactory . Such a fact seems convincing testimony , not to the ability of ...
... characters like Lady Macbeth and Desdemona were adequately rendered by youths beggars belief . But renderings in such conditions proved popular and satisfactory . Such a fact seems convincing testimony , not to the ability of ...
Strana 33
... and professionally . Al- most all Shakespeare's great tragic characters were created on the stage by Burbage , who had lately roused London to enthusiasm by his stirring presen- tation of Shakespeare's Richard III . for the first time.
... and professionally . Al- most all Shakespeare's great tragic characters were created on the stage by Burbage , who had lately roused London to enthusiasm by his stirring presen- tation of Shakespeare's Richard III . for the first time.
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acting actor actor-manager actor-manager system actors and actresses artistic audience Ben Jonson Benson's Betterton biography career character Charles comedy contemporary critical Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Dryden Elizabethan Elizabethan playgoer endeavour England English experience French genius gossip Hamlet Henry histrionic honour imagination interests of dramatic Jonson Julius Cæsar King less literary drama literature London London County Council Lowin Macbeth manager memory ment methods Midsummer Night's Dream modern monument moral municipal theatre nation never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoing playhouse plays of Shakespeare poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise tion tragedy Twelfth Night William Beeston William D'Avenant writing wrote