Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - Počet stran: 251 |
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Strana vii
... past on the present . A large portion of the book discusses , as its title indicates , methods of representing Shakespeare on the modern stage . The attempt is there made to define , in the light of experience , the conditions which are ...
... past on the present . A large portion of the book discusses , as its title indicates , methods of representing Shakespeare on the modern stage . The attempt is there made to define , in the light of experience , the conditions which are ...
Strana viii
... past and present situation , rather than with particular episodes or personalities , the real value of which the future has yet to determine . My best thanks are due to my friend Sir James Knowles , the proprietor and editor of The ...
... past and present situation , rather than with particular episodes or personalities , the real value of which the future has yet to determine . My best thanks are due to my friend Sir James Knowles , the proprietor and editor of The ...
Strana 12
... past century , to which I confine my remarks here , the efforts to produce Shakespearean drama worthily which were made by THE RESPONSIBILITY OF THE ACTOR 13 Before anyone may commit 12 SHAKESPEARE AND THE MODERN STAGE.
... past century , to which I confine my remarks here , the efforts to produce Shakespearean drama worthily which were made by THE RESPONSIBILITY OF THE ACTOR 13 Before anyone may commit 12 SHAKESPEARE AND THE MODERN STAGE.
Strana 18
... past with its complexity in our own time , one can hardly resist the conclusion that the imagination of the theatre - going public is no longer what it was of old . The play alone was then " the thing . " Now " the thing , " it seems ...
... past with its complexity in our own time , one can hardly resist the conclusion that the imagination of the theatre - going public is no longer what it was of old . The play alone was then " the thing . " Now " the thing , " it seems ...
Strana 44
... past with an ease that is un- known to the present patrons of the stage . The absence of scenery , the substitution of boys and men for women , could only have passed muster with the Elizabethan spectator because he was able to realise ...
... past with an ease that is un- known to the present patrons of the stage . The absence of scenery , the substitution of boys and men for women , could only have passed muster with the Elizabethan spectator because he was able to realise ...
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acting actor actor-manager actor-manager system actors and actresses artistic audience Ben Jonson Benson's Betterton biography career character Charles comedy contemporary critical Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Dryden Elizabethan Elizabethan playgoer endeavour England English experience French genius gossip Hamlet Henry histrionic honour imagination interests of dramatic Jonson Julius Cæsar King less literary drama literature London London County Council Lowin Macbeth manager memory ment methods Midsummer Night's Dream modern monument moral municipal theatre nation never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoing playhouse plays of Shakespeare poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise tion tragedy Twelfth Night William Beeston William D'Avenant writing wrote