From the evening-lighted wood, From all things outward you have won A tearful grace, as tho' you stood Between the rainbow and the sun. The very smile before you speak, That dimples your transparent cheek, The senses with a still delight Of dainty sorrow without sound, Like the tender amber round, Which the moon about her spreadeth, Moving thro' a fleecy night. II. You love, remaining peacefully, To hear the murmur of the strife, But enter not the toil of life. Your spirit is the calmed sea, Laid by the tumult of the fight. You are the evening star, alway Remaining betwixt dark and bright: Lull'd echoes of laborious day Come to you, gleams of mellow light Float by you on the verge of night. III. What can it matter, Margaret, What songs below the waning stars The lion-heart, Plantagenet, Sang looking thro' his prison bars? Exquisite Margaret, who can tell The last wild thought of Chatelet, Just ere the falling axe did part IV. A fairy shield your Genius made And gave you on your natal day. Your sorrow, only sorrow's shade, Keeps real sorrow far away. You move not in such solitudes, You are not less divine, But more human in your moods, Than your twin-sister, Adeline. Your hair is darker, and your eyes Touch'd with a somewhat darker hue, And less aërially blue, But ever trembling thro' the dew Of dainty-woeful sympathies. V. O sweet pale Margaret, O rare pale Margaret, Come down, come down, and hear me speak: Tie up the ringlets on your cheek: The sun is just about to set, The arching limes are tall and shady, And faint, rainy lights are seen, Moving in the leavy beech. Rise from the feast of sorrow, lady, Where all day long you sit between Joy and woe, and whisper each Or only look across the lawn, |