The Dramatick Writings of Will. Shakspere: With the Notes of All the Various Commentators; Printed Complete from the Best Editions of Sam. Johnson and Geo. Steevens, Svazek 2Printed for, and under the direction of, John Bell, 1788 |
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Strana 300
... ( says he ) , that when his performances had merited the protection of his prince , and when the encouragement of the court had succeeded to that of the town , the works of his riper years are manifestly raised above those of his former ...
... ( says he ) , that when his performances had merited the protection of his prince , and when the encouragement of the court had succeeded to that of the town , the works of his riper years are manifestly raised above those of his former ...
Strana 301
... say , on those persons , to enu- merate in the former class , that is , among the plays pro- duced before 1600 , compositions of equal merit with Othello , King Lear , Macbeth , The Tempest , and Twelfth Night , which we have reason to ...
... say , on those persons , to enu- merate in the former class , that is , among the plays pro- duced before 1600 , compositions of equal merit with Othello , King Lear , Macbeth , The Tempest , and Twelfth Night , which we have reason to ...
Strana 304
... ( says the Edi- tor ) for the scape it hath made amongst you ; since , by the grand possessors ' wills , I believe , you should have pray'd for them , rather than been pray'd . ” — By the grand pos- sessors , Shakspere and the other ...
... ( says the Edi- tor ) for the scape it hath made amongst you ; since , by the grand possessors ' wills , I believe , you should have pray'd for them , rather than been pray'd . ” — By the grand pos- sessors , Shakspere and the other ...
Strana 307
... ( says Heywood in his preface to Greene's Tu quoque , a comedy ) an actor of his nature in his time , of better ability in the performance of what he un- dertook , more applauded by the audience , of greater grace at the court , or of ...
... ( says Heywood in his preface to Greene's Tu quoque , a comedy ) an actor of his nature in his time , of better ability in the performance of what he un- dertook , more applauded by the audience , of greater grace at the court , or of ...
Strana 309
... says , " Let me have good ground - no matter for the pen ; the plot shall carry it . Oni . Indeed that's right ; you are in print , already , for THE BEST PLOTTER . Ant . Ay ; I might as well have been put in for a dumb shew too . " It ...
... says , " Let me have good ground - no matter for the pen ; the plot shall carry it . Oni . Indeed that's right ; you are in print , already , for THE BEST PLOTTER . Ant . Ay ; I might as well have been put in for a dumb shew too . " It ...
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acted alluded ancient Antony appears author's plays Ben Jonson called character circumstance comedy copy daughter Davenant death drama dramatick edition English entered at Stationers-Hall entry Epistles exhibited folio Gent Gentlemen Gentlemen of Verona Hamlet hath Henry IV honour John Shakspere Jonson Julius Cæsar King Henry VI King Henry VIII king James Latin likewise lines living London Lord Love's Labour Lost Macbeth magick MALONE mentioned Merry Wives Middleton monument muse Nashe observed Oldys passage performance perhaps piece players poem poet praise prefixed printed probably prologue publick published Richard Romeo and Juliet says scene seems Shak Shakspere's shew Shrew spere stage Stationers Stationers-Company STEEVENS Stratford upon Avon supposed Tempest theatre thee Thomas thou thought Timon Titus Andronicus tragedy translated Troilus and Cressida Twelfth Night unto verses William Davenant WILLIAM SHAKSPERE Wives of Windsor writer written
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Strana 526 - Euripides, and Sophocles to us, Paccuvius, Accius, him of Cordova dead, To life again, to hear thy buskin tread, And shake a stage : or, when thy socks were on, Leave thee alone, for the comparison Of all that insolent Greece or haughty Rome Sent forth, or since did from their ashes come.
Strana 548 - For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow, and that each heart • Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took, Then thou, our fancy of itself bereaving, Dost make us marble, with too much conceiving ; And, so sepulchred in such pomp dost lie, That kings for such a tomb would wish to die.
Strana 522 - To draw no envy, SHAKESPEARE, on thy name, Am I thus ample to thy book and fame ; While I confess thy writings to be such, As neither man, nor muse, can praise too much.
Strana 524 - The applause! delight! the wonder of our stage! My Shakespeare rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read, and praise to give.
Strana 554 - This pencil take' (she said), 'whose colours clear Richly paint the vernal year: Thine, too, these golden keys, immortal Boy! This can unlock the gates of joy; Of horror that, and thrilling fears, Or ope the sacred source of sympathetic tears.
Strana 377 - Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind. I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other — Enter Lady MACBETH.
Strana 474 - With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part; the sixth age shifts Into the lean and...
Strana 482 - Taint not thy mind, nor let thy soul contrive Against thy mother aught; leave her to heaven, And to those thorns that in her bosom lodge To prick and sting her.
Strana 474 - With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
Strana 460 - She was so well pleased with that admirable character of Falstaff, in The Two Parts of Henry the Fourth, that she commanded him to continue it for one play more, and to shew him in love. This is said to be the occasion of his writing The Merry Wives of Windsor.