Mazarine, (Cardinal) his Behaviour to Quillet, who had
reflected upon him in a Poem, N. 23.

Merchants of great Benefit to the Public, N. 69.
Mixt Wit defcribed, N. 62.

Mixt Communion of Men and Spirits in Paradife, as de-
fcribed by Milton, N. 12.

Mode, on what it ought to be built, N. 6.

Modesty the chief Ornament of the Fair Sex, N. 6.
Moliere made an old Woman a Judge of his Plays, N. 70.
Monuments in Westminster Abbey examined by the Spec-
tator, N. 26.

Mourning, the Method of it confidered, N. 64. Who the
greatest Mourners, ibid.

Mufic banished by Plato out of his Commonwealth,
N. 18. Of a relative Nature, 29.

N.

Neighbourhoods, of whom confifting, N. 49.
Newberry, (Mr.) his Rebus, N. 59.

New-River, a Project of bringing it into the Play-houfe,
.N. 5.

Nicolini, (Signior) his Voyage on Pafteboard, N. 5. His
Combat with Lion, 13. Why thought to be a Sham
one, ibid. An Excellent Actor, ibid.

O.

Ates(Dr.) a Favourite with fome Party Ladies, N. 57./
Ogler, the complete Ogler, N. 46.

Old Maids generally fuperftitious, N. 7.
Old Testament in a Periwig, N. 58.

Opera, as it is the prefent Entertainment of the English
Stage, confidered, N. 5. The Progress it has made on our
Theatre, 18. Some Account of the French Opera, 29.
Otway commended and cenfured, N. 39.

Overdo, a Justice at Epping, offended at the Company
of Strolers for Playing the Part of Clodpate, and making
a Mockery of one of the Quorum, N. 48.

Oxford Scholar, his great Discovery, in a Coffee-houfe,
N. 46.

P

P.

Ainter and Taylor often contribute more than the
Poet to the fuccefs of a Tragedy, N. 42.
Parents, their taking a liking to a particular Profeffion
often occafions their Sons to miscarry, N. 21.

Parties

Parties crept much into the Conversation of the Ladies,
N. 57. Party-Zeal very bad for the Face, ibid.

Particles English, the Honour done to them in the late
Operas, N. 18.

Paffions, the Conqueft of them a difficult Tafk, N. 71.
Peace, fome ill Confequences of it, N. 45.

Peepers described, N. 53.

Pharamond, Memoirs of his private Life, N. 76. His
great Wisdom, ibid.

Philautia, a great Votary, N. 79.

Philofophy, the Ufe of it, N. 7. faid to be brought by
Socrates down from Heaven, 10.

Phyfician and Surgeon, their different Employment, N. 16.
The Phyficians a formidable Body of Men, 21. com-
pared to the British Army in Cæfar's Time, ibid. Their
Way of converting one Diftemper into another, 25.
Pias, what Women fo called, N. 41. No Faith to be kept
with them, ibid.

Pinkethman to perfonate King Porus on an Elephant,
N. 31.

Players in Drury-Lane their intended Regulations, N. 36.
Poems in Picture, N. 58.

Poet, (English) reproved, N. 39, 40. their Artifices, 44.
Poeteffes (English) wherein remarkable, N. 51.

Powel (Senior) to A&t Alexander the Great on a Drome-
dary, N. 31. His Artifice to raise a Clap, N. 40.
Powel (Junior) his great Skill in Motions, N. 14. His
Performance referred to the Opera of Rinaldo and
Armida, ibid.

Praife, the Love of it implanted in us, N. 38.

Pride a great Enemy to a fine Face, N. 33.

Profeffions, the three great ones overburdened with Prac-
tioners, N. 21.

Projector, a Short Description of one, N. 31.
Profper (Will) an honeft Tale-bearer, N. 19.
Punchinello, frequented more than the Church, N. 14.
Punch out in the Moral Part, ibid.

Punning much recommended by the Practice of all Ages.
N. 61. In what Age the Pun chiefly flourished, ibid.
a famous University much infefted with it, ibid, why ba-
nished at present out of the Learned World, ibid. The
Definition of a Pun, ibid.

Q. Quality

R

Q.

Uality no Exemption from Reproof, N. 34.
Quixote (Don) Patron of the Sighers Club, N. 30.

R.

Ants confider'd as Blemishes in our English Tragedies, N. 40.

Rape of Proferpine a French Opera, fome Particulars in it, N. 29.

Reafon, inftead of governing Paffion is often subservient to it, N. 6.

Rebus, a kind of falfe Wit in Vogue among the Ancients, N. 59. and our own Countrymen, ibid. A Rebus at Blenheim-Houfe condemned, ibid.

Recitativo, (Italian) not agreeable to an English Audience, N. 29. Recitative Mufic in every Language ought to to be adapted to the Accent of the Language, ibid. Retirement, the Pleasure of it, where truly enjoyed, N. 4 4. Rich (Mr.) would not fuffer the Opera of Whittington's Cat to be performed in his House, and the Reason for it, N. 5.

Royal Exchange, the great refort to it, N. 69.

S.

Almon (Mrs.) her Ingenuity, N. 28,
Sanctorius, his Invention, N. 25.

Scholar's Egg, what fo called, N. 58.

f

Sempronia, a profeffed Admirer of the French Nation, N. 45. Senfe: fome Men of Sense more despicable than common Beggars, N. 6.

Sentry, (Captain) a Member of the Spectator's Club, his Character, N. 2.

Sextus Quintus, the Pope, an Inftance of his unforgiving Temper, N.

23.

Shadows and Realities not mixed in the fame Piece, N. 5. Shovel, (Sir CloudeЛly) the ill Contrivance of his Monument in Westminster-Abbey, N. 26.

Sidney (Sir Philip) his Opinion of the Song of Chevy-Chaft,

N. 70.

Sighers, a Club of them in Oxford, N. 30. Their Regulations, ibid.

Sign-Pofts, the Abfurdities of many of them, N. 28.
Socrates, his Temper and Prudence, N. 23.

Solitude; an Exemption from Paffions the only pleafing
Solitude, N. 4.

Sopholes,

Sophocles, his Conduct in his Tragedy of Electra, N. 44. Sparrows bought for the use of the Opera, N. 5. Spartan Virtue acknowledged by the Athenians, N. 6. Spectator (the) his Prefatory Difcourfe, N. 1. His great Taciturnity, ibid. His Vifion of Public Credit, 3. His Entertainment at the Table of an Acquaintance, 7. His Recommendation of his Speculations, 10. Advertised in the Daily Courant, 12. His Encounter with a Lion behind the Scenes, 13. The Defign of his Writings, 16. No Party-man, ibid. A little unhappy_in_the Mold of his Face, 17. His Artifice, 19. His Defire to correct Impudence, zo. And Refolution to march-on in the Cause of Virtue, 34. His Vifit to a travelled Lady, 45. His Speculations in the firft Principles, 46. An odd Accident that befel him at Lloyd's Coffee-house, ibid. His Advice to our English Pindaric Writers, 58. His Examen of Sir Fopling Flutter, 65.

Spleen, a common Excufe for Dulness, N. 53. Starers reproved, N. 20.

Statira, in what proposed as a Pattern to the Fair Sex, N. 41.

Superftition, the Folly of it defcrib'd, N. 7.

Susanna, or Innocence betray'd, to be exhibited by Mr. Powell, with a new pair of Elders, N. 14.

T.

Templar, one of the Spectator's Club, his Character,

That, his Remonftrance, N. 8.

Theatre (English) the Practice of it in several Inftances cenfured, N. 42, 44, 51.

Thunder, of great Ufe on the Stage, N. 44.

Thunderer to the Playhouse, the Hardships put upon him, and his Defire to be made a Cannon, N. 36. Tom Tits to perfonate finging Birds in the Opera, N. 5. Tom the Tyrant, firft Minifter of the Coffee-house, between the Hours of Eleven and Twelve at Night, N. 49. Tombs in Westminster vifited by the Spectator, N. 26. his Reflexion upon it, ibid.

Trade, the Benefit of it to Great Britain, N. 69. Tragedy; a perfect Tragedy the nobleft Production of human Nature, N. 39. Wherein the Modern Tragedy excels that of Greece and Rome, ibid. Blank Verse the moft proper for an English Tragedy, ibid. The Engli Tragedy confidered, ibid. Tragi

Tragi-Comedy, the Product of the English Theatre, monitrous Invention, N. 40.

Travel, highly neceffary to a Coquette, N. 45. The Be haviour of a travell'd Lady in the Play-houfe, ibid. Truth an Enemy to falfe Wit, N. 63.

Tryphiodorus, the great Lipogrammatift of Antiquity,N.59.

Ꮩ

U.

Enice Preferv'd, a Tragedy founded on a wrong
Plot, N. 39.

Uglinefs, fome Speculations upon it, N. 32.

Vifit; a Vifit to a travell'd Lady which the receiv'd in her Bed, defcrib'd, N. 45.

Understanding, the Abule of it is a great Evil, N. 6. Vocifer, the Qualifications that make him pass for a fine Gentleman, N. 75.

W

W.

HO and Which, their Petition to the Spectator, N. 78. Wit, the Mischief of it when accompanied with Vice, N. 23. very pernicious when not tempered with Virtue and Humanity, ibid. turned into Deformity by Affectation, 38. Only to be valued as it is applied, N. 6. nothing fo much admired and fo little understood, 58. The Hiftory of falfe Wit, ibid. Every Man would be a Wit if he could, 59. The way to try a piece of Wit, 62. Mr. Locke's Reflexion on the Difference between Wit and Judgment, ibid. The God of Wit defcrib'd, 63.

Women, the more powerful Part of our People, N. 4.

Their ordinary Employments, 10. Smitten with Superficials, 15. Their usual Converfation, ibid. Their strongest Paffion, 33. Not to be confider'd meerly as Objects of Sight, ibid.

Woman of Quality, her Drefs the Products of an hundred Climates, N. 69.

Y.

Varico, the Story of her Adventure, N. 11.

The End of the First Volume.