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EUBULUS, his character, N. 49.

EUCRATE, the favourite of Pharamond, N. 76.
EUDOSIA, her behaviour, N. 79.



Able of the lion and the man, N. 11. Of the
children and frogs, 23. Of Jupiter and the country-
man, 25.

Falfehood (the goddefs of) N. 63.

Falfe wit, the region of it, N. 25.

FALSTAFF (fir JOHN) a famous butt, N. 47.-
Fame, generally coveted, N. 73.

Fashion, the force of it, N. 64.

Fear of death often mortal, N. 25.

Fine gentleman, a character frequently mifapplied by
the fair fex, N. 75.

FLUTTER, (fir FOPLING) a comedy; fome remarks
upon it, N. 65.

Fools, great plenty of them the first day of April,
N. 47.

FREEPORT, (fir ANDREW) a member of the SPECT A-
TOR'S club, N. 2.

French poets, wherein to be imitated by the English,

N. 45:

Friendship, the great benefit of it, N. 68.
benefit of it, N. 68. The medi-
cine of life, ibid. The qualifications of a good
friend, ibid.

Gallantry; wherein true gallantry ought to confist,

N. 7.

Gaper; the fign of the gaper frequent in Amsterdam,

Ń. 47.

Ghofts warned out of the play-houfe, N. 36. the ap-
pearance of a ghoft of great efficacy on an English

theatre, 44.

Gofpel goffips described, N. 46.

Goths in poetry, who, N. 62.


Handkerchief, the great machine for moving pity

in a tragedy, N. 44.

Happiness, (true) an enemy to pomp and noise, N. 15.
Hard words ought not to be pronounced right by well-
bred ladies, N. 45.

Heroes in an English tragedy generally lovers, N. 40.
HOBBES (Mr.), his obfervation upon laughter, N.
HONEYCOMB (WILL) his character, N. 2. his difcourfe
with the SPECTATOR in the play-house, 4. his adven-
ture with a Pict, 41. Throws his watch into the
Thames, 77.

Human nature, the fame in all reasonable creatures,

N. 70.

Humour to be defcribed only by negatives, N. 35. the
genealogy of true humour, ibid. and of falfe, ibid.



Ambic verfe the most proper for Greek tragedies,
N. 39,

JAMES, how polished by love, N. 71.

Idiots, in great requeft in most of the German courts,

N. 47:

Idols, who of the fair fex fo called, N. 73.

Impudence gets the better of modefty, N. 2. An im-
pudence committed by the eyes, 20.

The definition
of English, Scotch, and Irish impudence, ibid.

Indian kings, fome of their obfervations during their

ftay here, N. 50.

Indifcretion, more hurtful than ill-nature, N. 23.

Injuries how to be measured, N. 23.

Inkle and Yarico, their ftory, N. 11.

Innocence, and not quality, an exemption from re-
proof, N. 34.

JONSON (BEN) an epitaph written by him on a lady,
N. 33.

Italian writers, florid and wordy, N. 5.



IMBOW (THO.) ftates his cafe in a letter to the

Kiffing-dances cenfured, N. 7.


LAdy's library defcribed, N. 37.

LETITIA and DAPHNE, their story, N. 33.

Lampoons written by people that cannot fpell, N. 16. witty lampoons inflict wounds that are incurable, 23. the inhuman barbarity of the ordinary fcribblers of lampoons, ibid.

Larvati, who fo called among the ancients, N. 32. LATH ('fquire), has a good eftate, which he would part withal for a pair of legs to his mind, N. 32.

Laughter, (immoderate) a fign of pride, N. 47. the provocations to it, ibid.

Lawyers divided into the peaceable and litigious, N. 21.
both forts defcribed, ibid.

King LEAR, a tragedy, fuffers in the alteration, N. 40.
LEE, the poet, well turned for tragedy, N. 39.

Learning ought not to claim any merit to itself, but upon
the application of it, N. 6.

LEONORA, her character, N. 37. The description of her country-feat, ibid.

Letters to the SPECTATOR; complaining of the mafquerade, N. 8. from the opera-lion, 14. from the under-fexton of Covent-Garden parish, ibid. from the undertaker of the masquerade, ibid. from one who had been to fee the opera of Rinaldo, and the puppet-fhow, ibid. from Charles Lillie, 16. from the prefident of the ugly club, 17. from S. C. with a complaint against the ftarers, 20. from Tho. Prone, who acted the wild boar that was killed by Mrs. Tofts, 22. from William Screne and Ralph Simple, ibid. from an actor, ibid. from king Latinus, ib. from Tho. Kimbow, 24. from Will Fashion to his would-be acquaintance, ibid. from Mary Tuefday on the fame fubject, ib. from a Valetudinarian to the SPECTATOR, 25. from fome perfons to the SPECTATOR'S clergyman, 27. from one who would be infpector of the fign-pofts, 28. from the mafter of the show at Charing-Crofs, ibid. from a member of the amorous club, at Oxford, 30. from a member of the ugly club, 32. from a gentleman to fuch ladies as are profeffed beauties, 33. to the SPECTATOR from T. D.


containing an intended regulation of the play-houfe,
36. from the play-houfe thunderer, ibid. from the SPEC-
TATOR to an affected very witty man, 38. from a
married man, with a complaint that his wife painted,
41. from Abraham Froth a member of the hebdoma-
dal meeting in Oxford, 43. from a husband plagued
with a golpel-goffip, 46. from an ogling-master, ib.
from the SPECTATOR to the prefident and fellows of
the ugly club, 48. from Hecatiffa to the SPECTA-
TOR, ibid. from an old beau, ib. from Epping, with
fome account of a company of ftrollers, ib. from a
lady, complaining of a paffage in the Funeral, 51.
from Hugh Goblin, prefident of the ugly club, 52.
from Q. R. concerning laughter, ib. the SPECTA-
TOR's anfwer, ib from R. B. to the SPECTATOR,
with a propofal relating to the education of lovers,
53. from Anna Bella, ib. from a fplenetic gentleman,
ibid. from a reformed ftarer, complaining of a peeper,
ibid. from king Latinus, ibid. from a gentleman at
Cambridge, containing an account of a new fect of
philofophers called Lowngers, 54. from Celimene,
66. from a father, complaining of the liberties taken in
country-dances, ib. from James to Betty, 71. to the
SPECTATOR from the ugly club at Cambridge, 78.
from a whimfical young lady, 79. from B. D. defiring
a catalogue of books for the female library, ib.
Letter-dropper of antiquity, who, N. 59.
Library, a lady's library defcribed, N. 37.
Life, the duration of it uncertain, N. 27.

LINDAMIRA, the only woman allowed to paint, N. 41.
Lion in the Hay-Market occafioned many conjectures
in the town, N. 13. very gentle to the SPECTATOR,

London, an emporium for the whole earth, N. 69.
Love, the general concern of it, N. 30.

Love of the world, our hearts mifled by it, N. 27.
Luxury, what, N. 55. attended often with avarice, ib.
a fable of those two vices, ibid.

Lowngers, a new fect of philofophers in Cambridge,
N. 54.


MAN a fociable animal, N. 9. The lofs of public

and private virtues owing to men of parts, 6.
Masquerade, a complaint against it, N. 8. The defign
of it, ibid.

MAZARINE (Cardinal), his behaviour to Quillet, who
had reflected upon him in a poem, N. 23.

Merchants of great benefit to the public, Ñ. 69.
Mixt wit described, N. 62.

Mixt communion of men and fpirits in paradise, as de-
fcribed by Milton, N. 12.

Mode, on what it ought to be built, N. 6.
Modefty the chief ornament of the fair sex, N. 6.
MOLIERE made an old woman a judge of his plays,

N. 70.

Monuments in Westminster-Abbey examined by the

Mourning, the method of it confidered, N. 64. Who
the greatest mourners, ibid.

Mufic banished by Plato out of his commonwealth,
N. 18. Of a relative nature, 29.


Neighbourhoods, of whom confifting, N. 49.

NEWBERRY, (Mr.) his Rebus, N. 59.

New-River, a project of bringing it into the play-house,

N. 5.

NICOLINI (fignior) his voyage on pafteboard, N. 5.
His combat with a lion, 13. Why thought to be a
fham one, ibid. An excellent actor, ibid.



ATES (Dr.) a favourite with fome party ladies,
N. 57:

Ogler, the complete ogler, N. 46.

Old maids generally fuperftitious, N.
Old Teftament in a periwig, N. 58.


Opera, as it is the prefent entertainment of the English
ftage, confidered, N. 5. The progrefs it has made
on our theatre, 18. Some account of the French
opera, 29.

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