The Artistry of Shakespeare's ProseRoutledge, 13. 9. 2013 - Počet stran: 464 First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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Strana
... Given that the norm of the plays, with some few exceptions, is blank verse, then prose must always have been felt as a deviation from it, and one made for a particular reason, such as for these elementary categories which we have been ...
... Given that the norm of the plays, with some few exceptions, is blank verse, then prose must always have been felt as a deviation from it, and one made for a particular reason, such as for these elementary categories which we have been ...
Strana
... given royal dignity, or perhaps the superior authority of moral perception.8 Again in Merry Wives, the first time that Ford reaches a mood of dignity after his jealous madness, he is given verse (IV, iv, 6). One might also suggest, if ...
... given royal dignity, or perhaps the superior authority of moral perception.8 Again in Merry Wives, the first time that Ford reaches a mood of dignity after his jealous madness, he is given verse (IV, iv, 6). One might also suggest, if ...
Strana
... given the world of sober realism and robust comedy; witty entertainment; playful diversion; delay; dissimulation, degradation, chaos; colloquial speech and uncorrect pronunciation. From this, verse appears as the speech belonging to the ...
... given the world of sober realism and robust comedy; witty entertainment; playful diversion; delay; dissimulation, degradation, chaos; colloquial speech and uncorrect pronunciation. From this, verse appears as the speech belonging to the ...
Strana
... given the image, whether it describes his own character, and lastly what (if any) are his motives for using it. Behind our whole method must be the assumption that Shakespeare knew what he was doing, whether intuitively or consciously ...
... given the image, whether it describes his own character, and lastly what (if any) are his motives for using it. Behind our whole method must be the assumption that Shakespeare knew what he was doing, whether intuitively or consciously ...
Strana
... Given the inferior position of this medium in terms of human interest and emotional scope, it is not surprising to find that the images in Shakespeare's prose are largely of a negative nature: they are used to attack and deflate ...
... Given the inferior position of this medium in terms of human interest and emotional scope, it is not surprising to find that the images in Shakespeare's prose are largely of a negative nature: they are used to attack and deflate ...
Obsah
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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