The Artistry of Shakespeare's ProseRoutledge, 13. 9. 2013 - Počet stran: 464 First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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Strana
... servants and clowns – this is so in Shakespeare for most of the time, though many of his noblemen speak prose too (the categories are not exclusive). Similarly prose is used for those below dignity and seriousness generally, such as the ...
... servants and clowns – this is so in Shakespeare for most of the time, though many of his noblemen speak prose too (the categories are not exclusive). Similarly prose is used for those below dignity and seriousness generally, such as the ...
Strana
... servant to prose, on part-social part-intellectual grounds, is seen in them all, as is the normal convention for Shakespeare that when a person from a superior class talks with the clown then he too descends to prose, as if to show the ...
... servant to prose, on part-social part-intellectual grounds, is seen in them all, as is the normal convention for Shakespeare that when a person from a superior class talks with the clown then he too descends to prose, as if to show the ...
Strana
... servant (both of Syracuse, this time) which begins in verse and continues thus for nearly forty lines before suddenly descending to prose. At this point in the scene, with the entry of Adriana and a romantic topic, the medium rightly ...
... servant (both of Syracuse, this time) which begins in verse and continues thus for nearly forty lines before suddenly descending to prose. At this point in the scene, with the entry of Adriana and a romantic topic, the medium rightly ...
Strana
... servant only to regain the norm after his exit (Baptista and Biondello, III, ii; Lucentio and Biondello, IV, iv), and the contrary state where the needed mood prevails and the servant, having naturally spoken prose, moves up to verse ...
... servant only to regain the norm after his exit (Baptista and Biondello, III, ii; Lucentio and Biondello, IV, iv), and the contrary state where the needed mood prevails and the servant, having naturally spoken prose, moves up to verse ...
Strana
... servants now begin to play the part in verse to his prose: Will't please your honour taste of these conserves? At first he refuses the identity and asserts himself in ever more insistent folk prose: Ask Marian Hacket the fat ale-wife of ...
... servants now begin to play the part in verse to his prose: Will't please your honour taste of these conserves? At first he refuses the identity and asserts himself in ever more insistent folk prose: Ask Marian Hacket the fat ale-wife of ...
Obsah
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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