Plato, too, like every great man, consumed his own times. What is a great man, but one of great affinities, who takes up into himself all arts, sciences, all knowables, as his food? He can spare nothing; he can dispose of every thing. What is not good for virtue, is good for knowledge. Hence his contemporaries tax him with plagiarism. But the inventor only knows how to borrow; and society is glad to forget the innumerable laborers who ministered to this architect, and reserves all its gratitude for him. When we are praising Plato, it seems we are praising quotations from Solon, and Sophron, and Philolaus. Be it so. Every book is a quotation; and every house is a quotation out of all forests, and mines, and stone quarries; and every man is a quotation from all his ancestors. And this grasping inventor puts all nations under contribution.

Plato absorbed the learning of his times,Philolaus, Timæus, Heraclitus, Parmenides, and what else; then his master, Socrates; and, finding himself still capable of a larger synthesis, beyond all example then or since,he travelled into Italy, to gain what Pythagoras had for him; then into Egypt, and per

haps still farther east, to import the other element, which Europe wanted, into the European mind. This breadth entitles him to stand as the representative of philosophy. He says, in the Republic, "Such a genius as philosophers must of necessity have, is wont but seldom, in all its parts, to meet in one man; but its different parts generally spring up in different persons." Every man, who would do any thing well, must come to it from a higher ground. A philosopher must be more than a philosopher. Plato is clothed with the powers of a poet, stands upon the highest place of the poet, and (though I doubt he wanted the decisive gift of lyric expression), mainly is not a poet, because he chose to use the poetic gift to an ulterior purpose.

Great geniuses have the shortest biographies. Their cousins can tell you nothing about them. They lived in their writings, and so their house and street life was trivial and commonplace. If you would know their tastes and complexions, the most admiring of their readers most resembles them. Plato, especially, has no external biography. If he had lover, wife, or children, we hear nothing of them. He ground them all into paint.

As a good chimney burns its smoke, so a philosopher converts the value of all his fortunes into his intellectual performances.

He was born 430 A. C., about the time of the death of Pericles; was of patrician connection in his times and city; and is said to have had an early inclination for war; but, in his twentieth year, meeting with Socrates, was easily dissuaded from this pursuit, and remained for ten years his scholar, until the death of Socrates. He then went to Megara; accepted the invitations of Dion and of Dionysius, to the court of Sicily; and went thither three times, though very capriciously treated. He travelled into Italy; then into Egypt, where he stayed a long time; some say three,—some say thirteen years. It is said, he went farther, into Babylonia: this is uncertain. Returning to Athens, he gave lessons, in the Academy, to those whom his fame drew thither; and died, as we have received it, in the act of writing, at eighty-one years.

But the biography of Plato is interior. We are to account for the supreme elevation of this man, in the intellectual history of our race, how it happens that, in proportion to the culture of men, they become his scholars;

that, as our Jewish Bible has implanted itself in the tabletalk and household life of every man and woman in the European and American nations, so the writings of Plato have preoccupied every school of learning, every lover of thought, every church, every poet,—making it impossible to think, on certain levels, except through him. He stands between the truth and every man's mind, and has almost impressed language, and the primary forms of thought, with his name and seal. I am struck, in reading him, with the extreme modernness of his style and spirit. Here is the germ of that Europe we know so well, in its long history of arts and arms: here are all its traits, already discernible in the mind of Plato,—and in none before him. It has spread itself since into a hundred histories, but has added no new element. This perpetual modernness is the measure of merit, in every work of art; since the author of it was not misled by any thing short-lived or local, but abode by real and abiding traits. How Plato came thus to be Europe, and philosophy, and almost literature, is the problem for us to solve.

This could not have happened, without a sound, sincere, and catholic man, able to

honor, at the same time, the ideal, or laws of the mind, and fate, or the order of nature. The first period of a nation, as of an individual, is the period of unconscious strength. Children cry, scream, and stamp with fury, unable to express their desires. As soon as they can speak and tell their want, and the reason of it, they become gentle. In adult life, whilst the perceptions are obtuse, men and women talk vehemently and superlatively, blunder and quarrel: their manners are full of desperation; their speech is full of oaths. As soon as, with culture, things have cleared up a little, and they see them no longer in lumps and masses, but accurately distributed, they desist from that weak vehemence, and explain their meaning in detail. If the tongue had not been framed for articulation, man would still be a beast in the forest. The same weakness and want, on a higher plane, occurs daily in the education of ardent young men and women. 'Ah! you don't understand me; I have never met with any one who comprehends me;' and they sigh and weep, write verses, and walk alone,-fault of power to express their precise meaning. In a month or two, through the favor of their good genius,