King Lear in Our TimeUniversity of California Press, 1965 - Počet stran: 126 Perhaps more than any other play of Shakespeare's King Lear has been subjected to almost totally contradictory interpretations. An important theme is the play's examination of society and the ties of service and family love. |
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Strana 31
... Goneril is complaining about , and Lear's explicit description of his knights : My train are men of choice and rarest parts , That all particulars of duty know , And in the most exact regard support The worships of their name had no ...
... Goneril is complaining about , and Lear's explicit description of his knights : My train are men of choice and rarest parts , That all particulars of duty know , And in the most exact regard support The worships of their name had no ...
Strana 32
... Goneril . As Lear feels that Cordelia in scene i " wrench'd " his " frame of nature From the fix'd place ” —an image which invites us to see beyond it the ruining of a great building or even a rup- ture in the cosmic frame itself - so ...
... Goneril . As Lear feels that Cordelia in scene i " wrench'd " his " frame of nature From the fix'd place ” —an image which invites us to see beyond it the ruining of a great building or even a rup- ture in the cosmic frame itself - so ...
Strana 76
... Goneril ; unless you hear in that terrible curse the hor- rifying harshness of emotion that comes into an old voice when the speaker is wholly given over to the bitter , vindictive anger of hurt old age , so hurt that it would destroy ...
... Goneril ; unless you hear in that terrible curse the hor- rifying harshness of emotion that comes into an old voice when the speaker is wholly given over to the bitter , vindictive anger of hurt old age , so hurt that it would destroy ...
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actable action actor Albany archetype aspect audience beggar Blau blind bring Brook brother century character Charles Laughton Clare Byrne Cordelia critic crying hither David Garrick death director disguise Donald Wolfit Dover fields drama Edgar Edmund Elizabethan experience fact father Fool Garrick Gielgud's give Glou Gloucester in Dover Gloucester's Goneril and Regan Hamlet heath scenes Herbert Blau human Ibid imagination James Agate Kean Kent Kent's kind King Lear Laughton Lear's London Macready Macready's madness man's Marowitz mind Morality play nature Nebuchadnezzar ness never onstage opening scene Oswald Othello passion patience Paul Scofield performance perhaps Peter Brook play's plot psychological question restored Review Richard Buckle role romance Samuel Johnson sense servant Shake Shakespeare Shakespeare's play Shakespearean Tragedy sound speech stage storm story subtext suffering Tate theatre theme thing thou tion tragic Troilus and Cressida virtue vision words