Othello and Interpretive TraditionsUniversity of Iowa Press, 1. 8. 1999 - Počet stran: 272 During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt. |
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... Renaissance Stage , ed . Susan Zimmerman , 84–102 . London and New York : Routledge , 1992 . The Subject of Tragedy : Identity and Difference in Renaissance Drama . London : Methuen , 1985 . Bentley , Eric . A Century of Hero Worship ...
... Renaissance Stage , ed . Susan Zimmerman , 84–102 . London and New York : Routledge , 1992 . The Subject of Tragedy : Identity and Difference in Renaissance Drama . London : Methuen , 1985 . Bentley , Eric . A Century of Hero Worship ...
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... Renaissance , ed . David Scott Kastan and Peter Stallybrass , 88–96 . London and New York : Routledge , 1991 . Coleridge , Samuel Tayler . " Fears in Solitude : Written in April , 1798 , During the Alarm of an Invasion . " In Coleridge ...
... Renaissance , ed . David Scott Kastan and Peter Stallybrass , 88–96 . London and New York : Routledge , 1991 . Coleridge , Samuel Tayler . " Fears in Solitude : Written in April , 1798 , During the Alarm of an Invasion . " In Coleridge ...
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... Renaissance Drama . ” English Literary History 54 ( 1987 ) : 561-583 . · Inwardness and Theater in the English Renaissance . Chicago : University of Chicago Press , 1995 . " Proof and Consequences : Inwardness and Its Exposure in the ...
... Renaissance Drama . ” English Literary History 54 ( 1987 ) : 561-583 . · Inwardness and Theater in the English Renaissance . Chicago : University of Chicago Press , 1995 . " Proof and Consequences : Inwardness and Its Exposure in the ...
Obsah
Introduction Othello and Interpretive Traditions | 1 |
Othello in Theatrical and Critical History | 11 |
Disconfirmation | 30 |
Autorská práva | |
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