Othello and Interpretive TraditionsUniversity of Iowa Press, 1. 8. 1999 - Počet stran: 272 During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt. |
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Strana 31
... action of the play . They represent the often anguished perplexity of the characters in the face of an often threatening action whose con- tours need to be defined . The play works hard to make it our question as well . And to make Iago ...
... action of the play . They represent the often anguished perplexity of the characters in the face of an often threatening action whose con- tours need to be defined . The play works hard to make it our question as well . And to make Iago ...
Strana 97
... action , like his father's tonal emphasis ( “ bold with you " ) , helps give a particular im- mediacy to the ... action and the theatrical situation ( no rehearsal ) . Though no stage direction exists to justify it , the action seems ...
... action , like his father's tonal emphasis ( “ bold with you " ) , helps give a particular im- mediacy to the ... action and the theatrical situation ( no rehearsal ) . Though no stage direction exists to justify it , the action seems ...
Strana 113
... action , its unhurried sim- plicity , its willingness to be ordinary . One might also refer to the atmosphere of private freedom within this protected feminine enclo- sure [ , ] an interlude suggesting peace and freedom , within the ...
... action , its unhurried sim- plicity , its willingness to be ordinary . One might also refer to the atmosphere of private freedom within this protected feminine enclo- sure [ , ] an interlude suggesting peace and freedom , within the ...
Obsah
Introduction Othello and Interpretive Traditions | 1 |
Othello in Theatrical and Critical History | 11 |
Disconfirmation | 30 |
Autorská práva | |
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acknowledge Actors anxiety audience Bamber Gascoigne beginning belief Bianca Bob Hoskins Booth Brabantio Bradley Bradley's Cambridge University Press Carlisle Cassio century character claim Coleridge Coleridge's commentary contemporary context critical cultural Cyprus demona Desdemona desire devil earlier echoes Edwin Booth effect Emilia emphasis Empson essay evoke Fechter feel gender Hamlet Hankey Honigmann Iago Iago's idea identity imagination interest interpretive traditions King Lear lago Lear Leavis literary London marriage meaning Michael Neill modern Moor murder nature Neill Newman nineteenth nineteenth-century nonetheless norms original Othello Othello and Desdemona passage Patrick Stewart performance perhaps pharmakos play play's production protagonist question quoted racial Ralph Crane remarks Renaissance response Ridley Roderigo role Rymer says seems sense sexual Shakespeare Shakespearean Tragedy soliloquy speak speech Sprague stage suggests Temptation Scene textual Theatre theatrical thing tion tragic Tynan Venetian villain whore women words York