Othello and Interpretive TraditionsUniversity of Iowa Press, 1. 8. 1999 - Počet stran: 272 During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt. |
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Strana 38
... anxiety- driven and anxiety - producing perspective , the erosion of the distinction between here and everywhere else transports us violently into nowhere , an amorphously engulfing space where the constituting differences of individual ...
... anxiety- driven and anxiety - producing perspective , the erosion of the distinction between here and everywhere else transports us violently into nowhere , an amorphously engulfing space where the constituting differences of individual ...
Strana 214
... anxiety ” if “ properly acted . " When Othello supports Desde- mona's request to the Senate , we may hear Calderwood's " vehement " ( see note 33 ) or Snow's " strenuous ” disavowals ( “ Sexual Anxiety , ” 399 ) ; or we may hear confi ...
... anxiety ” if “ properly acted . " When Othello supports Desde- mona's request to the Senate , we may hear Calderwood's " vehement " ( see note 33 ) or Snow's " strenuous ” disavowals ( “ Sexual Anxiety , ” 399 ) ; or we may hear confi ...
Strana 252
... anxiety and identity enacted in performance , 95-104 ; sexual anxiety and the disintegration of identity , 86-94 . See also Othello and interpretive interests : divided between Othello and Iago ; racial interests / anxieties ; re ...
... anxiety and identity enacted in performance , 95-104 ; sexual anxiety and the disintegration of identity , 86-94 . See also Othello and interpretive interests : divided between Othello and Iago ; racial interests / anxieties ; re ...
Obsah
Introduction Othello and Interpretive Traditions | 1 |
Othello in Theatrical and Critical History | 11 |
Disconfirmation | 30 |
Autorská práva | |
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