Othello and Interpretive TraditionsUniversity of Iowa Press, 1. 8. 1999 - Počet stran: 272 During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt. |
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... earlier , claiming now that it is the interpretive tradition that stands in an anterior position , producing whatever it is we can see as the play . The chicken / egg question here cannot be resolved on its own terms . As a theoretical ...
... earlier , claiming now that it is the interpretive tradition that stands in an anterior position , producing whatever it is we can see as the play . The chicken / egg question here cannot be resolved on its own terms . As a theoretical ...
Strana 128
... earlier on . Can " my soul " be totally recreated into a new " I " that now suborns its own earlier po- sition ? The attempt at a willful self - reconstruction is rendered suspect by the oddly passive " find " ; from this position , the ...
... earlier on . Can " my soul " be totally recreated into a new " I " that now suborns its own earlier po- sition ? The attempt at a willful self - reconstruction is rendered suspect by the oddly passive " find " ; from this position , the ...
Strana 180
... earlier essay of his own : " I ought to have noticed more clearly the way in which racial identity is constructed as one of the most fiercely con- tested ' places ' in the play ” ( “ Unproper Beds , " 391 , 392 , and 394 ) . O , he has ...
... earlier essay of his own : " I ought to have noticed more clearly the way in which racial identity is constructed as one of the most fiercely con- tested ' places ' in the play ” ( “ Unproper Beds , " 391 , 392 , and 394 ) . O , he has ...
Obsah
Introduction Othello and Interpretive Traditions | 1 |
Othello in Theatrical and Critical History | 11 |
Disconfirmation | 30 |
Autorská práva | |
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acknowledge Actors anxiety audience Bamber Gascoigne beginning belief Bianca Bob Hoskins Booth Brabantio Bradley Bradley's Cambridge University Press Carlisle Cassio century character claim Coleridge Coleridge's commentary contemporary context critical cultural Cyprus demona Desdemona desire devil earlier echoes Edwin Booth effect Emilia emphasis Empson essay evoke Fechter feel gender Hamlet Hankey Honigmann Iago Iago's idea identity imagination interest interpretive traditions King Lear lago Lear Leavis literary London marriage meaning Michael Neill modern Moor murder nature Neill Newman nineteenth nineteenth-century nonetheless norms original Othello Othello and Desdemona passage Patrick Stewart performance perhaps pharmakos play play's production protagonist question quoted racial Ralph Crane remarks Renaissance response Ridley Roderigo role Rymer says seems sense sexual Shakespeare Shakespearean Tragedy soliloquy speak speech Sprague stage suggests Temptation Scene textual Theatre theatrical thing tion tragic Tynan Venetian villain whore women words York