Othello and Interpretive TraditionsUniversity of Iowa Press, 1. 8. 1999 - Počet stran: 272 During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt. |
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Strana 62
... fact out of little or nothing ; even the real ones seem inadequate to explain the intensity of his malice . They are legion , but despite or rather because of their capacity for apparently unconstrained proliferation , they seem ...
... fact out of little or nothing ; even the real ones seem inadequate to explain the intensity of his malice . They are legion , but despite or rather because of their capacity for apparently unconstrained proliferation , they seem ...
Strana 65
... fact . The real fact , at least in terms of the sophisticated understanding Iago invites us to share with him , is that there are no real facts , or none that we can know without differentiation . Iago is on to something fundamental ...
... fact . The real fact , at least in terms of the sophisticated understanding Iago invites us to share with him , is that there are no real facts , or none that we can know without differentiation . Iago is on to something fundamental ...
Strana 70
... fact that Othello ends up in the same location , when he laments how it " pleased heaven to try me with affliction " and later stabs him- self with what seem to be the same gestures ? ( Potter ) The fact is , there's a lot we can make ...
... fact that Othello ends up in the same location , when he laments how it " pleased heaven to try me with affliction " and later stabs him- self with what seem to be the same gestures ? ( Potter ) The fact is , there's a lot we can make ...
Obsah
Introduction Othello and Interpretive Traditions | 1 |
Othello in Theatrical and Critical History | 11 |
Disconfirmation | 30 |
Autorská práva | |
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