Othello and Interpretive TraditionsUniversity of Iowa Press, 1. 8. 1999 - Počet stran: 272 During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt. |
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Strana 16
... final speech always struck him as an attempt at " cheering himself up . ” Designating this attitude as “ bovarysme , the human will to see things as they are not , " Eliot deftly reduces the Noble Moor of received opinion to a feminized ...
... final speech always struck him as an attempt at " cheering himself up . ” Designating this attitude as “ bovarysme , the human will to see things as they are not , " Eliot deftly reduces the Noble Moor of received opinion to a feminized ...
Strana 151
... final transcendence survive in criticism to our own day , as they perhaps do in attenuated forms in theatrical interpretation as well . They tend , how- ever , to be withdrawn from the protagonist and reinvested in a political or ...
... final transcendence survive in criticism to our own day , as they perhaps do in attenuated forms in theatrical interpretation as well . They tend , how- ever , to be withdrawn from the protagonist and reinvested in a political or ...
Strana 224
... final lines ' , however , although at least one recent critic apparently believes they are , because that is what he called them " ( Clayton , 63 , citing Calderwood , 109 ) . 8. The nineteenth - century practice of costuming Othello in ...
... final lines ' , however , although at least one recent critic apparently believes they are , because that is what he called them " ( Clayton , 63 , citing Calderwood , 109 ) . 8. The nineteenth - century practice of costuming Othello in ...
Obsah
Introduction Othello and Interpretive Traditions | 1 |
Othello in Theatrical and Critical History | 11 |
Disconfirmation | 30 |
Autorská práva | |
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