Othello and Interpretive TraditionsUniversity of Iowa Press, 1. 8. 1999 - Počet stran: 272 During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt. |
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Strana 25
... lago , but the extent to which we in the audience are seduced by him . ( Foakes , " The Descent of lago , " 26 , 28 ) Iago enjoys a privileged relation with the audience . He possesses what can be termed the discourse of knowledge in ...
... lago , but the extent to which we in the audience are seduced by him . ( Foakes , " The Descent of lago , " 26 , 28 ) Iago enjoys a privileged relation with the audience . He possesses what can be termed the discourse of knowledge in ...
Strana 28
... lago than to Othello " ( 43 ) ; 20 the Othellos " were no match for the vividly realised Iagos who ... developed their parts with such high spirits that they threw the emo- tional balance of [ their ] productions out of kilter " ( 62 ) ...
... lago than to Othello " ( 43 ) ; 20 the Othellos " were no match for the vividly realised Iagos who ... developed their parts with such high spirits that they threw the emo- tional balance of [ their ] productions out of kilter " ( 62 ) ...
Strana 162
... lago , redemption can- not be part of it . Like Burke , Empson and Bradbrook perceived the am- bivalence with which lago is cast in the role of katharma or pharmakos - the scapegoat . For Empson , " Iago ... is so nearly a stage Jew ...
... lago , redemption can- not be part of it . Like Burke , Empson and Bradbrook perceived the am- bivalence with which lago is cast in the role of katharma or pharmakos - the scapegoat . For Empson , " Iago ... is so nearly a stage Jew ...
Obsah
Introduction Othello and Interpretive Traditions | 1 |
Othello in Theatrical and Critical History | 11 |
Disconfirmation | 30 |
Autorská práva | |
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