Othello and Interpretive TraditionsUniversity of Iowa Press, 1. 8. 1999 - Počet stran: 272 During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt. |
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Strana 53
... production practices and histrionic conventions at the Globe , nonetheless work to produce a similar effect : the early texts too seem to be going out of the way to write a pause into their theatrical action at this point . The pause ...
... production practices and histrionic conventions at the Globe , nonetheless work to produce a similar effect : the early texts too seem to be going out of the way to write a pause into their theatrical action at this point . The pause ...
Strana 133
... production ( Tynan , 14 ) . Kate Skinner's Bianca was white , but the Kelly production was a " photo- negative " - everybody of consequence was black except for Skinner and Patrick Stewart as Othello , so the casting was " appropriate ...
... production ( Tynan , 14 ) . Kate Skinner's Bianca was white , but the Kelly production was a " photo- negative " - everybody of consequence was black except for Skinner and Patrick Stewart as Othello , so the casting was " appropriate ...
Strana 202
... production became very modern indeed . ' The fur- niture was so disposed that it was available to histrionic purposes ' ; and John Ryder , the Iago , actually sat on the council table and coolly swung his leg " ( Shakespeare and the ...
... production became very modern indeed . ' The fur- niture was so disposed that it was available to histrionic purposes ' ; and John Ryder , the Iago , actually sat on the council table and coolly swung his leg " ( Shakespeare and the ...
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Introduction Othello and Interpretive Traditions | 1 |
Othello in Theatrical and Critical History | 11 |
Disconfirmation | 30 |
Autorská práva | |
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