Othello and Interpretive TraditionsUniversity of Iowa Press, 1. 8. 1999 - Počet stran: 272 During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt. |
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... questions I have been raising here about the nature of belief , the fraught and problematic process by which ... question is still generally current for actors , theatrical audiences , and students ( constituencies we may ignore ...
... questions I have been raising here about the nature of belief , the fraught and problematic process by which ... question is still generally current for actors , theatrical audiences , and students ( constituencies we may ignore ...
Strana 31
... question a moment later echoes Iago at the very beginning , “ If ever I did dream / Of such a matter , abhor me ” ( 4-5 ) and is in turn echoed by Othello in the next scene , “ What's the matter , think you ? " ( 38 ) . As John Shaw ...
... question a moment later echoes Iago at the very beginning , “ If ever I did dream / Of such a matter , abhor me ” ( 4-5 ) and is in turn echoed by Othello in the next scene , “ What's the matter , think you ? " ( 38 ) . As John Shaw ...
Strana 188
... question framing the debate about Renaissance acting styles — natural or artifi- cial ? is the wrong question , because it confuses means and effects . Betterton may have chanted — that is , have sounded like chanting to us if we were ...
... question framing the debate about Renaissance acting styles — natural or artifi- cial ? is the wrong question , because it confuses means and effects . Betterton may have chanted — that is , have sounded like chanting to us if we were ...
Obsah
Introduction Othello and Interpretive Traditions | 1 |
Othello in Theatrical and Critical History | 11 |
Disconfirmation | 30 |
Autorská práva | |
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