Othello and Interpretive TraditionsUniversity of Iowa Press, 1. 8. 1999 - Počet stran: 272 During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt. |
Vyhledávání v knize
Výsledky 1-3 z 87
Strana 5
... seems to be driven by the hero- worshiping and psychological assumptions of nineteenth - century com- mentary assumptions whose relevance to our own and to Renais- sance concerns we have some reason to doubt . But a version of it still ...
... seems to be driven by the hero- worshiping and psychological assumptions of nineteenth - century com- mentary assumptions whose relevance to our own and to Renais- sance concerns we have some reason to doubt . But a version of it still ...
Strana 108
... seems both above and below . Again the question that might be stirring in our mind seems coarse " ( 186-187 ) . Bradshaw is uncertain which is superior , the specta- tor's knowledge or the protagonist's . Perhaps Othello is not naive ...
... seems both above and below . Again the question that might be stirring in our mind seems coarse " ( 186-187 ) . Bradshaw is uncertain which is superior , the specta- tor's knowledge or the protagonist's . Perhaps Othello is not naive ...
Strana 136
... seems , especially for first - time student readers , to accord a kind of ontological priority . Like the textual apparatus into which it tends to be merged , the character list is treated not as the product of interpretation but as its ...
... seems , especially for first - time student readers , to accord a kind of ontological priority . Like the textual apparatus into which it tends to be merged , the character list is treated not as the product of interpretation but as its ...
Obsah
Introduction Othello and Interpretive Traditions | 1 |
Othello in Theatrical and Critical History | 11 |
Disconfirmation | 30 |
Autorská práva | |
Další části 3 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
acknowledge Actors anxiety audience Bamber Gascoigne beginning belief Bianca Bob Hoskins Booth Brabantio Bradley Bradley's Cambridge University Press Carlisle Cassio century character claim Coleridge Coleridge's commentary contemporary context critical cultural Cyprus demona Desdemona desire devil earlier echoes Edwin Booth effect Emilia emphasis Empson essay evoke Fechter feel gender Hamlet Hankey Honigmann Iago Iago's idea identity imagination interest interpretive traditions King Lear lago Lear Leavis literary London marriage meaning Michael Neill modern Moor murder nature Neill Newman nineteenth nineteenth-century nonetheless norms original Othello Othello and Desdemona passage Patrick Stewart performance perhaps pharmakos play play's production protagonist question quoted racial Ralph Crane remarks Renaissance response Ridley Roderigo role Rymer says seems sense sexual Shakespeare Shakespearean Tragedy soliloquy speak speech Sprague stage suggests Temptation Scene textual Theatre theatrical thing tion tragic Tynan Venetian villain whore women words York