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which in tragick or heroick writings often reconciles us to bold flights and daring figures.

Pastoral being the representation of an action or passion, by its effects upon a country life, has nothing peculiar but its confinement to rural imagery, without which it ceases to be pastoral. This is its true characteristick, and this it cannot lose by any dignity of sentiment, or beauty of diction. The Pollio of Virgil

, with all its elevation, is a composition truly bucolick, though rejected by the criticks, for all the images are either taken from the country, or from the religion of the age common to all parts of the empire.

The Silenus is indeed of a more disputable kind, because though the scene lies in the country, the song being religious and historical, had been no less adapted to any other audience or place. Neither can it well be defended as a fiction; for the introduction of a god seems to imply the golden age, and yet he alludes to many subsequent transactions, and mentions Gallus the poet's contemporary. It seems necessary to the perfection of this poem,

, that the occasion which is supposed to produce it, be at least not inconsistent with a country life, or less likely to interest those who have retired into places of solitude and quiet, than the more busy part of mankind. It is therefore improper to give the title of a pastoral to verses, in which the speakers, after the slight mention of their flocks, fall to complaints of errours in the church, and corruptions in the government, or to lamentations of the death of some illustrious person, whom, when once the poet has called a shepherd, he has no longer any labour upon his hands, but can make the clouds weep, and lilies

wither,

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wither, and the sheep hang their heads, without art or learning, genius or study.

It is part of Claudian's character of his rustick, that he computes his time not by the succession of consuls, but of harvests. Those who pass their days in retreats distant from the theatres of business, are always least likely to hurry their imagination with publick affairs.

The facility of treating actions or events in the pastoral style, has incited many writers, from whom more judgment might have been expected, to put the sorrow or the joy which the occasion required into the mouth of Daphne or of Thyrsis, and as one absurdity must naturally be expected to make way for another, they have written with an utter disregard both of life and nature, and filled their productions with mythological allusions, with incredible fictions, and with sentiments which neither passion nor reason could have dictated, since the change which religion has made in the whole system of the world.

Numb. 38. SATURDAY, July 28, 1750.

Auream quisquis mediocritatem
Diligit, tutus caret obsoleti
Sordibus teçti, caret invidenda

Sobrius aula.

HOR,

The man within the golden mean,
Who can his boldest wish contain,
Securely views the ruin'd cell,
Where sordid want and sorrow dwell;
And in himself serenely great,
Declines an envied room of state.

FRANCIS,

A
MONG many parallels which men of imagi-

nation have drawn between the natural and moral state of the world, it has been observed that happiness, as well as virtue, consists in mediocrity; that to avoid every extreme is necessary, even to him who has no other care than to pass through the present state with ease and safety; and that the middle path is the road of security, on either side of which are not only the pitfalls of vice, but the precipices of ruin.

Thus the maxim of Cleobulus the Lindian, régtor aposov, Mediocrity is best, has been long considered as an universal principle, extended through the whole compaşs of life and nature. The experience of every age seems to have given it new confirmation, and to show that nothing, however specious or alluring, is pursued with propriety, or enjoyed with safety, beyond certain limits. R 3

Even

Even the gifts of nature, which may truly be corsidered as the most solid and durable of all terrestrial advantages, are found, when they exceed the middle point, to draw the possessor into many calamities, easily avoided by others that have been less bountifully enriched or adorned. We see every day women perish with infamy, by having been too willing to set their beauty to show; and others, though not with equal guilt or misery, yet with very sharp remorse, languishing in decay, neglect, and obscurity, for having rated their youthful charins at too high a price. And, indeed, if the opinion of Bacon be thought to deserve much regard, very few sighs would be vented for eminent and superlative elegance of form; "for beautiful women,” says he, "are “ seldom of any great accomplishments, because they, “ for the most part, study behaviour rather than 66 virtue.”

Health and vigour, and a happy constitution of the corporeal frame, are of absolute necessity to the enjoyment of the comforts, and to the performance of the duties of life, and requisite in yet a greater measure to the accomplishment of any thing illustrious or distinguished; yet even these, if we can judge by their apparent consequences, are sometiines not very beneficial to those on whom they are most liberally bestowed. They that frequent the chambers of the sick will generally find the sharpest pains, and most stubborn maladies, among them whom confidence of the force of nature formerly betrayed to negligence and irregularity; and that superfluity of strength, which was at once their boast and their snare, has often, in the latter part of life, no other effect than that it continues them long in impotence and anguish.

effect

These gifts of nature are, however, always blessings in themselves, and to be acknowledged with gratitude to him that gives them; since they are, in their regular and legitimate effects, productive of happiness, and prove pernicious only by voluntary corruption or idle negligence. And as there is little danger of pursuing them with too much ardour or anxiety, because no skill or diligence can hope to procure them, the uncertainty of their influence upon our lives is mentioned, not to depreciate their real value, but to repress the discontent and envy to which the want of them often gives occasion in those who do not enough suspect their own frailty, nor consider how much less is the calamity of not possessing great powers, than of not using them aright.

Of all those things that make us superior to others, there is none so much within the reach of our endeavours as riches, nor any thing more eagerly or constantly desired. Poverty is an evil always in our view, an evil complicated with so many circumstances of uneasiness and vexation, that every man is studious to avoid it. Some degree of riches is therefore required, that we may be exempt from the gripe of necessity; when this purpose is once attained, we naturally wish for more, that the evil which is regarded with so much horrour, may be yet at a greater distance from us; as he that has once felt or dreaded the paw of a savage, will not be at rest till they are parted by some barrier, which may take away all possibility of a second attack.

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