Reasonable Elocution: A Text-book for Schools, Colleges, Clergymen, Lawyers, Actors, EtcA.S. Barnes, 1874 - Počet stran: 211 |
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Výsledky 1-5 z 16
Strana 39
... Sweet are the uses of adversity , which , [ Like the toad ugly and venomous , Wears yet a precious jewel in his head . " In Richard II , Act 1 , Scene 4 , the similes are of approbation , though at a casual glance one might suppose TIME ...
... Sweet are the uses of adversity , which , [ Like the toad ugly and venomous , Wears yet a precious jewel in his head . " In Richard II , Act 1 , Scene 4 , the similes are of approbation , though at a casual glance one might suppose TIME ...
Strana 43
... Sweet was her breath- [ as the breath of kine that feed in the meadows ] * * * * * * * * Stalworth * * * * and stately in form was the man of seventy winters ; Hearty and hale was he , lan oak that is covered with snowflakes ...
... Sweet was her breath- [ as the breath of kine that feed in the meadows ] * * * * * * * * Stalworth * * * * and stately in form was the man of seventy winters ; Hearty and hale was he , lan oak that is covered with snowflakes ...
Strana 58
... sweet aspect of princes , and their ruin , More pangs and fears than wars or women have ; And when he falls , he falls like Lucifer ] , Never to hope again . § 4. - WONDER . -Henry VIII . THE MARVELLOUS . These we express by retarded ...
... sweet aspect of princes , and their ruin , More pangs and fears than wars or women have ; And when he falls , he falls like Lucifer ] , Never to hope again . § 4. - WONDER . -Henry VIII . THE MARVELLOUS . These we express by retarded ...
Strana 103
... sweet water and bitter ? See also Mrs. Browning's poem- " The cry of the children " : " The young lambs are playing in the meadows , " etc. " But the young , young children , O my brothers ! " the latter being the subject , the first is ...
... sweet water and bitter ? See also Mrs. Browning's poem- " The cry of the children " : " The young lambs are playing in the meadows , " etc. " But the young , young children , O my brothers ! " the latter being the subject , the first is ...
Strana 141
... sweet- est and tenderest passages in the language , the most vivid descriptions of the beautiful , the impassioned eloquence of love - all are given with a lugubrious in- tonation , absurd in the extreme . The semitone is the symbol of ...
... sweet- est and tenderest passages in the language , the most vivid descriptions of the beautiful , the impassioned eloquence of love - all are given with a lugubrious in- tonation , absurd in the extreme . The semitone is the symbol of ...
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abrupt force approbation aspirate beautiful behold Belshazzar blood bones breath Brutus Cæsar cæsura chest voice circumflex Cymbeline Daniel dead death diminuendo doth earth emotions example exercise expression eyes fall faster father fear Galatia gestures give given grace hand hate hath head heard heaven Herod honour idea illustration indicated inflections of voice interrogative intonation Jesus Julius Caesar king lines Lord low key Macbeth main text marked meaning mentally projected Merchant of Venice metaphor Midsummer Night's Dream natural Nebuchadnezzar negative inflection night orotund Othello Palæstra parable parenthesis passage passions pause phatic positives and negatives practice praise pronounced prophesied rendering requires Richard II saith say unto scale semitone sentence shew simile slow quotation slower sorrow sounds speak speaker spirit sublime sweet thee thine things thou art thou shalt thought tion tone tongue transfer the emphasis unem upward utterance verse vowel wave whole tones
Oblíbené pasáže
Strana 159 - Against thee, thee only, have I sinned, and done this evil in thy sight; that thou mightest be justified when thou speakest, and be clear when thou judgest.
Strana 62 - And it came to pass, that when he was returned, having received the kingdom, then he commanded these servants to be called unto him, to whom he had given the money, that he might know how much every man had gained by trading.
Strana 189 - , good Iras ; quick. — Methinks, I hear Antony call ; I see him rouse himself To praise my noble act : I hear him mock The luck of Caesar, which the gods give men To excuse their after wrath : Husband, I come : Now to that name my courage prove my title ! I am fire, and air ; my other elements I give to baser life.
Strana 164 - I had as lief not be, as live to be In awe of such a thing as I m,yself.
Strana 97 - And the. eye cannot say unto the hand, I have no need of thee : nor again the head to the feet, I have no need of you. ^Nay, much more those members of the body, which seem to be more feeble,
Strana 151 - Favours to none, to all she smiles extends ; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike. Yet graceful ease, and sweetness void of pride...
Strana 59 - And, behold, they brought to him a man sick of the palsy, lying on a bed: and Jesus seeing their faith said unto the sick of the palsy; Son, be of good cheer; thy sins be forgiven thee.
Strana 197 - Cover your heads and mock not flesh and blood With solemn reverence : throw away respect, Tradition, form and ceremonious duty, For you have but mistook me all this while : I live with bread like you, feel want, Taste grief, need friends : subjected thus, How can you say to me, I am a king ? Car.
Strana 186 - Tis mightiest in the mightiest; it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself, And earthly power doth then show likest God's When mercy seasons justice.
Strana 182 - What's in a name ? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name; And for that name, which is no part of thee, Take all myself.