For wherefore have we given us our wealth, O, this goes hard when traitors must be flattered; Gil. What said you, Grime? Ken. Such news, Bonfield, as will make thee And fret thy fill, to hear how Nick was used. Ready to stoop; but that a churl came in, Bet. Oh lovely George, fortune be still thy friend! And as thy thoughts be high, so be thy mind Bon. On that, good Grime, I am talking with In all accords, even to thy heart's desire! thy daughter; But she, in quirks and quiddities of love, The Pinner, and be my love, I will advance thee high; To dignify those hairs of amber hue, I'll grace them with a chaplet made of pearl, Bet. Heigh ho! my heart is in a higher place, Enter the Earl of KENDALL and NICHOLAS MAN NERING. Ken. Come, Nick, follow me. Bon. What says fair Bettris? Grime. My lord, she is praying for George & Greene; He is the man, and she will none but him. Bon. But him! why, look on me, my girl. For George-a-Greene, the merry Pinner, Bon. Bootless, my lord, are many vain replies. Let us hie us to Wakefield, and send her the Pinner's head. Ken. It shall be so. Grime, gramercie, Shut up thy daughter, bridle her affects, Let me not miss her when I make return; Therefore look to her, as to thy life, good Grime. Grime. I warrant you, my lord. [Exeunt GRIME and BETTRIS. Ken. And, Bettris, leave a base Pinner, 7 Have all thy fair?-In the former edition Mr Dodsley had altered fair to faith. Fair was, however, frequently used by contemporary writers as a substantive; and several instances of it are produced by Mr Steevens, in his note on the words, "Demetrius loves your fair." A. I. S. 1. of Midsummer's Night's Dream. Bridle her affects.-Affects are affections, and in that sense the word is used in many contemporary authors; as Gascoigne's Fable of Jeronimi, p. 250:- Neyther seemeth it reasonable, that one should have the power to discover the thoughts, or at least to bridle the affects of all the rest.” Euphues and his England, p. 7:-"Saving that either carried the motion of his minde in his manners and that the affects of the heart were bewrayed by the eyes." Ben Jonson's Cynthia's Revels, A. 3. S. 3 : For to love an earl. Fain would I see But howsoever, I'll have his head to-day. [Exeunt. Enter the King of Scors, Lord HUMES, with Soldiers, and JOHNY. King. Why, Johny, then the Earl of Kendall is blithe, And hath brave men that troop along with him? Johny Ay, marry, my liege, And hath good men that come along with him, I will be with him at the appointed day. Enter JANE A BARLEY'S Son. Ned. Sir, I am son unto Sir John a Barley, Eldest, and all that ere my mother had. Edward my name. Jane. And whither art thou going, pretty Ned? Ned. To seek some birds, and kill them, if I can. And now my school-master is also gone, So have I liberty to ply my bow; For when he comes, I stir not from James. Lord Humes, but mark the visage of this child; my book. By him I guess the beauty of his mother; If you would speak with her, knock at this gate. Enter JANE A BARLEY upon the Walls. Jane. O, I am betrayed! What multitudes be these? James. Fear not, fair Jane, for all these men are mine, And all thy friends, if thou be friend to me. Little regard was given to my suit, That seek to wrong Sir John a Barley so, James. Why, what dishonour, Ned? Yet often have I heard my father say, At Jockie Miller's house. June. Ay, well said, Ned, Jumes. Jane, in faith, Jane- That doometh just revenge for things amiss, boot, Unless thou open the gate, and let me in. worst. This castle is too strong for thee to scale; Besides, to-morrow will Sir John come home. James. Well, Jane, since thou disdainest King James's love, I'll draw thee on with sharp and deep extremes; For, by my father's soul, this brat of thine Shall perish here before thine eyes, Unless thou open the gate, and let me in. Jane. O deep extremes! my heart begins to break; My little Ned looks pale for fear. Cheer thee, My boy, I will do much for thee. See also the several instances quoted by Mr Steevens, in his note on the last passage. My husband's love, his honour, and his fame, Alarum within. Enter a Messenger. Enter Old MUSGROVE, with King JAMES Pri soner. Mus. Now, King James, thou art my prisoner. Cuddie. Father, the field is ours; Their colours we have seized, and Humes is slain; Mus. 9 God, and Saint George! Jane. Come in, young Cuddie; come, and drink Bring in King Jamie with you, as a guest; [Exeunt. Enter GEORGE A GREENE alone. Geo. The sweet content of men that live in love, Enter JENKIN, the Clown. Jen. Marry, amen, sir. Geo. Sir, what do you cry amen at? Jen. Why, did not you talk of love? Jen. Well, though I say it, that should not say it, So nettled with love as I have been of late. You rose so early to go to your wenches. Jen. Trow, you have hit it; For, master, be it known to you, There is some good-will betwixt Madge the Sousewife And I; marry she hath another lover. Geo. Canst thou brook any rivals in thy love? Jen. A rider? no, he is a sow-gelder, and goes a-foot. But Madge 'pointed to meet me in your wheat close. 9 God and Saint George. This exclamation is made by Richmond, in Richard III., immediately before attacking his adversary. Mr Wharton observes, that St. George was the common cry of the English sol diers when they charged the enemy. See Note in the last edition, vol. vii. p. 158. 10 Right Coventry blue.-Coventry blue is mentioned by several writers of the times. Laugh and lie down, or the Worlde's Folly, 1605, Sign. E 2 :-" It was a simple napkinne wrought with Coventry blew." Stephens's Satyrical Essayes, 1615, p. 355:-" He must savour of gallantry a little, though he perfume the table with rose-cake; or appropriate bone lace, and Coventry blue,” Ben Jonson's Masque of Gypsies: "The Coventry blue Hangs there upon Prue.” 1 I'll lay my cloak underneath him. I took my cloak, spread it all along, Geo. Thou clown, didst thou set his horse upon Jen. Ay, but mark how I served him. Madge and he was no sooner gone down into the ditch, But I plucked out my knife, Cut four holes in my cloak, And made his horse stand on the bare ground: Now, sir, go and survey my fields; If you find any cattle in the corn, To pound with them. Jen. And if I find any in the pound, I shall turn them out. [Exit JENKIN. Jen. O master, where are you? we have a prize. Geo. A prize! what is it? Jen. Three goodly horses in our wheat close. Geo. Three horses in our wheat close! whose be they? Jen. Marry, that's a riddle to me; but they are there. Velvet horses, and I never saw such horses before. As my duty was, I put off my cap, and said as followeth : My masters, what do you make in our close? One of them hearing me ask what he made there, held up his head and neighed, and after his manner laughed as heartily as if a mare had been tied to his girdle. My masters, said I, it is no laughing matter; for, if my master take you here, you go as round as a top to the pound. Another untoward jade hearing me threaten him to the pound, and to tell you of them, cast up both his heels, and let a monstrous great fart; that was as much as in his language to say, a fart for the pound, and a fart for George a Green. Now I, hearing this, put on my cap, blew my horn, called them all jades, and came to tell you. Geo. Now, sir, go and drive me those three horses To the pound. Ken. Sirrah, those three horses belong to us, Jen. Stay, I will go tell my master. Geo. What be these? Jen. These are the masters of the horses. I am the Pinner, and before you pass, I tell thee, Pinner, we are gentlemen. Geo. Why, sir, so may I, sir, although I give no Arms as ever your great grandfather could give. Jen. Marry, my master may give for his arms But my master gives his arms the wrong way, Ken. Well, Pinner, since our horses be in, Geo. Now, by my father's soul, Ken. Why, man, thou knowest not us. Men that, before a month be full expired, Jen. Do you hear? I were best take a constable Thou hast struck an earl. Geo. Why so? Geo. Why, what care I? a poor man, that is true, Jen. Why, they being gentlemen's horses, may Is better than an earl, if he be false. stand Traitors reap no better favours at my hands, Ken. Ay, so methinks; but thou shalt dear | And, if king Edward will redress the same, aby this blow. Now, or never, lay hold on the Pinner. Enter all the Ambush. Geo. Stay, my lords, let us parley on these broils; Not Hercules against two, the proverb is, Nor 1 against so great a multitude. Had not your troops come marching as they did, Ken. What dost thou murmur, George? [Aside. I muse, if thou be Henry Momford, Kendall's earl, That thou wilt do poor George a Greene this wrong, Ever to match me with a troop of men. Ken. Why didst thou strike me then? Geo. Why, my lord, measure me but by yourself; Had you a man had served you long, Aud heard your foe misuse you behind your back, Bon. A pardon, my lord, for this Pinner; For trust nie, he speaketh like a man of worth. Ken. Well, George, Wilt thou leave Wakefield, and 12 wend with me; I'll freely put up all, and pardon thee. Geo. Ay, my lord, considering me one thing, You will leave these arms, and follow your good king. Ken. Why, George, I rise not against king Edward, But for the poor that is opprest by wrong; I will not offer him disparagement, I'll make thee captain of a hardy band, Ken. Why, it is a miraculous prophecy, and Geo. Well, my lord, you have almost turned me. Jenkin, come hither. II Aby this blow. To aby, is to pay dear for, to suffer. So in Tom Tyler and his Wife, p. 19: "My neighbour and I might hap to abie, If we should so do, as he suffereth you." Churchyard's Challenge, p. 273: "O God forbid for mother's fault The children should abye : No graine of grudge, nor ground of guile, Midsummer's Night's Dream, A. 3. S. 2: "Thou shalt aby it." See also Mr Steevens's note on the last passage. 12 Wend-See Note to Tancred and Gismunda, A. 1. S. 3. vol. ii. p. 174. 13 And make the king vail bonnet to us both.] To vail bonnet, is a phrase which occurs in Edward II. vol. II. p. 321 and also in Edward 111. A. 4. S. 7. In all these places it means to stand uncovered as a mark of submission. Again, we find to vail flag, to vail cap, to vail top, in other writers of the time; and all these several modes of expression are intended to denote either inferiority or respect in the persons doing these several acts. |