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Cenfor of small wares, an officer to be erected, N. 16.
Charles I. a famous picture of that prince, N. 58.
Chevy Chase, the Spectator's examen of it, N. 70.74.
Chronogram, a piece of falfe wit, N. 60.

Cicero, a punster, N. 61. The entertainment found in his
philofophic writings, ibid.

Clarinda, an idol, in what manner worshipped, N. 73.
Cleanthe, her story, N. 15.

Clergyman, one of the Spectator's club, N. 2.
Clergy, a threefold divifion of them, N. 21.

Clubs, nocturnal affemblies fo called, N. 9. Several names
of clubs, and their originals, ibid. &c. Rules prescribed
to be observed in the Two-penny club, ibid. An account
of the Ugly club, 17. The Sighing club, 30. The Fringe-
glove club, ibid. The Amorous club, ibid. The Hebdoma-
dal club: fome account of the members of that club, 43.
and of the Everlasting club, 72. The club of Ugly
Faces, 78. The difficulties met with in erecting that
club, ibid.

Commerce, the extent and advantage of it, N. 69.
Consciousness, when called Affectation, N.38.

Conversation moft ftraitened in numerous affemblies, N.68.
Coquettes, the present numerous race, to what owing, N. 66.
Coverley, (fir Roger de) a member of the Spectator's club,
his character, N. 2. His opinion of men of fine parts, 6.
Courtiers habit, on what occafions hieroglyphical, 64.
Cowley abounds in mixt wit, N. 62.

Crab, of King's college in Cambridge, chaplain to the club of
Ugly Faces, N. 78.

Credit, a beautiful virgin, her fituation and equipage, N. 3.
a great valetudinarian, ibid.

Crofs (mifs) wanted near half a ton of being as handsome
as madam Van Brifket, a great beauty in the Low coun-
tries, N. 32.

DANCING, a difcourfe on it, defended, N. 67.

Death, the time and manner of our death not known to us,


Deformity, no cause of fhame. N. 17.

Delight and furprise, properties effential to wit, N. 62.

Dignitaries of the law, who, N. 21.

Divorce, what esteemed to be a juft pretenfion to one, 41..

Donne, (Dr.) his description of his mistress, N. 41.

Dryden, his definition of wit cenfured, N. 62.

Dull fellows, who, N. 43. their enquiries are not for infor-
mation, but exercife, ibid. Naturally turn their heads to
politics, or poetry, ibid.

Dutch more polite than the English in their buildings, and
monuments of their dead, N. 26.

Dyer, the news writer, an Aristotle in politics, N. 43.

ENVY: the ill ftate of an envious man, N. 19. His relief,
ibid. The way to obtain his favour, ibid.

Ephefian matron, the ftory of her, N. 11.

Epictetus, his obfervation upon the female fex, N. 53.
Epigram on Hecatiffa, N. 52.

Epitaphs, the extravagance of fome, and modefty of others,
N. 26. An epitaph written by Ben Jonfon, 33.

Equipages, the fplendor of them in France, N. 15. A great
temptation to the female fex, ibid.

Etherege, (fir George) author of a comedy called She would
if the could, reproved, N. 51.

Eubulus, his character, N. 49.

Eucrate, the favourite of Pharamond, N. 76.

Eudofia, her behaviour, N.

FABLE of the lion and the man, N. 11. Of the children
and frogs, 23. Of Jupiter and the countryman, 25.
Falfehood (the goddefs of) N. 63.

Falfe wit, the region of it, N. 25.

Falstaff (fir John) a famous butt, N. 47.

Fame, generally coveted, N. 73.

Fashion, the force of it, N. 64.

Fear of death often mortal, N. 25.

Fine gentlemen, a character frequently mifapplied by the fair
fex, N. 75.

Flutter, (Sir Fopling) a comedy; fome remarks upon it,

Fools, great plenty of them the first day of April, N. 47.
Freeport (fir Andrew) a member of the Spectator's club,
N. 2.

French poets, wherein to be imitated by the English, N. 45.
Friendship, the great benefit of it, N. 68. The medicine of
life, ibid. The qualifications of a good friend, ibid.

GALLANTRY; wherein true gallantry ought to confift,


Gaper; the fign of the gaper frequent in Amsterdam, 47.

Ghosts warned out of the playhoufe, N. 36. the appearance
of a ghost of great efficacy on an English theatre, N. 44.
Gospel goffips described, N. 46.

Goths in poetry, who, N. 62.

HANDKERCHIEF, the great machine for moving pity in a
tragedy, N. 44.

Happiness (true) an enemy to pomp and noise, N. 15.

Hard words ought not to be pronounced right by well bred
ladies, N. 45.

Heroes in an English tragedy generally lovers, N. 40.
Hobbs (Mr.) his obfervations upon laughter, N.47.
Honeycomb, (Will) his character, N. 2. his difcourfe with
the Spectator in the playhouse, N. 4. his adventure with a
Pict. N. 41. Throws his watch into the Thames, N. 77.
Human nature, the fame in all reasonable creatures, N. 70.
Honour to be described only by negatives, N.
logy of true honour, ibid. and of falfe, ibid.

35. the


IAMBIC verse the most proper for Greek tragedies, N. 39.
James, how polished by love, N. 71.

Idiots, in great requeft in most of the German courts, N. 47.
Idols, who of the fair fex fo called, N. 73.

Impudence gets the better of modefty, N. 2. An impudence
committed by the eyes, N. 20. The definition of English,
Scotch, and Irish impudence, ibid.

Indian kings, fome of their observations during their stay here,

N. 50.

Indifcretion, more hurtful than ill-nature, N. 23.

Injuries how to be measured, N. 23.

Inkle and Yarico, their story, N. II.

Innocence, and not quality, an exemption from reproof, N. 34.
Jonfon (Ben) an epitaph written by him on a lady, N. 33.
Italian writers, florid and wordy, N. 5.

KIMBOW (Tho.) states his case in a letter to the Spectator,


Kiffing-dances cenfured, N. 67.

LADY's library defcribed, N. 37.

Lætitia and Daphne, their ftory, N-33.

Lampoons written by people that cannot fpell, N. 16. witty
lampoons inflict wounds that are incurable, N. 23. the inhu-
man barbarity of the ordinary fcribblers of lampoons, ibid..

Larvati, who so called among the ancients, N. 32.
Lath ('Squire) has a good eftate which he would part withal
for a pair of legs to his mind, N. 32.

Laughter, (immoderate) a fign of pride, N. 47. the provo-
cations to it, ibid.

Lawyers, divided into the peaceable and litigious, N. 21.
both forts described, ibid.

King Lear, a tragedy, fuffers in the alteration, N. 40.
Lee, the poet, well turned for tragedy, N. 39.

Learning ought not to claim any merit to itself, but upon the
application of it, N. 6.

Leonora, her character, N. 37. The defcription of her
country-feat, ibid.

Letters to the Spectator; complaining of the masquerade,
N. 8. from the opera lion, N. 14. from the under fexton of
Covent-garden parish, ibid. from the undertaker of the
mafquerade, ibid. from one who had been to fee the opera
of Rinaldo, and the puppet-show, ibid. from Charles Lillie,
N. 16. from the prefident of the Ugly club, N. 17. from
S. C. with a complaint against the starers, N. 20. from Tho.
Prone, who acted the wild boar that was killed by Mrs.
Tofts, N. 22. from William Screne, and Ralph Simple, ibid.
from an actor, ibid. from king Latinus, ibid. from Tho.
Kimbow, N. 24. from Will Fashion to his would-be
acquaintance, ibid. from Mary Tuesday on the fame subject,
ibid. from a valetudinarian to the Spectator, N. 25. from
fome perfons to the Spectator's clergyman, N. 27. from one
who would be inspector of the fign-pofts, N. 28. from
the mafter of the fhow at Charing-crofs, ibid. from a
member of the Amorous club at Oxford, N. 30. from a
member of the Ugly club, N.32. from a gentleman to fuch
ladies as are profeffed beauties, N. 33. to the Spectator
from T.D. containing an intended regulation of the Play-
houfe, N. 36. from the playhouse thunderer, ibid. from
the Spectator to an affected very witty man, N. 38. from
a married man with a complaint that his wife painted, N.-
41. from Abraham Froth, a member of the Hebdomadal
meeting in Oxford, N. 43. from a húfband plagued with
a gofpel-goffip, N. 46. from an ogling-mafter, ibid. from
the Spectator to the prefident and fellows of the Ugly club,
N. 48. from Hecatiffa to the Spectator, ibid. from an old
beau, ibid. from Epping, with fome account of a company-
of ftrollers, ibid. from a lady complaining of a paffage in
the Funeral, N. 51. from Hugh Goblin, prefident of the

Ugly club, N. 52. from Q. R. concerning laughter, ibid.
the Spectator's answer, ibid. from R. B. to the Spectator,
with a propofal relating to the education of lovers, N. 53.
from Anna Bella, ibid. from a fplenetic gentleman, ibid.
from a reformed Starer, complaining of a Peeper, ibid. from
king Latinus, ibid. from a gentleman at Cambridge, con-
taining an account of a new fect of philofophers called
Lowngers, N. 54. from Celimene, N. 66. from a father
complaining of the liberties taken in country-dances, ibid.
from James to Betty, N. 71. to the Spectator, from the
Ugly club at Cambridge, N. 78. from a whimfical young
lady, N. 79. from B. D. defiring a catalogue of books for
the female library, ibid.

Letter-dropper of antiquity, who, N. 59.
Library, a lady's library defcribed, N. 37.
Life, the duration of it uncertain, N. 27.
Lindamira, the only woman allowed to paint, N.41.
Lion in the Haymarket occafioned many conjectures in the
town, N. 13. very gentle to the Spectator, ibid.
London, an emporium for the whole earth, N. 69.
Love, the general concern of it, N. 30.

Love of the world, our hearts mifled by it, N. 27.

Luxury, what, N. 55. attended often with avarice, ibid. a
fable of those two vices, ibid.

Lowngers, a new fect of philofophers in Cambridge. 54.

MAN, a fociable animal, N. 9. The lofs of public and private
virtues owing to men of parts, N. 6.

Masquerade, a complaint against it, N. 8. The design of
it, ibid.

Mazarine (Cardinal) his behaviour to Quillet, who had re-
flected upon him in a poem,

Merchants of great benefit to the public, N. 69.

Mixt wit defcribed, N. 62.

Mixt communion of men and fpirits in Paradife, as defcribed
by Milton, N. 12.

Mode, on what it ought to be built, N.6.

Modesty the chief ornament of the fair fex, N.6.

Moliere made an old woman a judge of his plays, N. 70.
Monuments in Westminster-abbey examined by the Spectator,
N. 26.

Mourning, the method of it confidered, N. 64. Who the
greatest mourners, ibid.

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