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Music banished by Plato out of his commonwealth, N. 18.
Of a relative nature, N. 29.
NEIGHBOURHOODS, of whom consisting, N. 49.
bat with a lion, N. 13. Why thought to be a sham one, ibid. An excellent actor, ibid.
OATES, (Dr.) a favourite with some party ladies, N. 57.
considered, N. 5. The progress it has made on our theatre,
N. 18. Some account of the French opera, N. 29. Otway commended and censured, N. 39. Overdo, a justice at Epping, offended at the company of strol
lers for playing the part of Clodpate, and making a mockery
of one of the quorum, N. 48. Oxford scholar, his great discovery in a coffee-house, N. 46.
PAINTER and tailor often contribute more than the poet to the
success of a tragedy, N. 42. Parents, their taking a liking to a particular profession, often
occasions their fons to miscarry, N. 21. Parties crept much into the conversation of the ladies, N. 57.
Party-zeal very bad for the face, ibid. Particles, English, the honour done to them in the late operas,
N. 18. Paffions, the conquest of them a difficult talk, N. 71. Peace, fome ill consequences of it, N.45. Peepers described, N. 53. Pharamond, memoirs of his private life, N. 76. His great
wisdom, ibid. Philautia, a great votary, N. 79. Philosophy, the use of it, N. 7. said to be brought by Socrates
down from heaven, N. 10. Physician and surgeon, their different employinent, N. 16.
The physicians a formidable body of men, N. 21. compared to the British army in Cæsar's time, ibid. Their way of converting one distemper into another, N. 25.
Picts, what women so called, N. 41. No faith to be kept
with them, ibid. Pinkethman to personate King Porus on an elephant, N. 31. Players in Drury-lane, their intended regulations, N. 36. Poems in picture, N. 58. Poet, (English) reproved, N. 39. N.40. their artifices, N. 44. Poetesses, (English) wherein remarkable, N. 51. Powell, (senior) to act Alexander the Great on a dromedary,
N. 31. His artifice to raise a clap, N. 40. Powell, (junior) his great skill in motions, N. 14. His per
formance referred to the opera of Rinaldo and Armida, ibid. Praise, the love of it implanted in us, N. 38. Pride, a great enemy to a fine face, N. 33. Professions, the three great ones overburdened with practi
tioners, N. 21. Projector, a short description of one, N. 31. Prosper (Will) an honest tale-bearer, N. 19. Punchinello, frequented more than the church, N. 14. Punch
out in the moral part, ibid. Punning much recommended by the practice of all ages,
N. 61. In what age the pun chiefly flourished, ibid. A famous university much infested with it, ibid. Why banished at present out of the learned world, ibid. The definition of a pun, ibid.
QUALITY no exemption from reproof, N. 34.
40. Rape of Proserpine, a French opera, some particulars in it,
Reason, instead of governing passion, is often subfervient to
it, N. 6. Rebus, a kind of false wit in vogue among the ancients, N. 59.
and our own countrymen, ibid. A rebus at Blenheim-house
condemned, ibid. Recitativo, (Italian) not agreeable to an English audience,
N. 29. Recitative music in every language ought to be
adapted to the accent of the language, ibid. Retireinent, the pleasure of it, where truly enjoyed, N. 4. Rich, (Mr:) would not suffer the opera of Whittington's Cat
to be performed in his house, and the reason for it, N. 5. Royal Exchange, the great resort to it, N.69.
gars, N. 6.
SALMON, (Mrs.) her ingenuity, N. 28.
racter, N. 2. Sextus Quintus, the pope, an instance of his unforgiving temper, N. 23. ,
. Shadows and realities not mixed in the same piece, N. 5. Shovel, (fir Cloudefley) the ill contrivance of his monument
in Westminster abbey, N. 26. Sidney, (sir Philip) his opinion of the song of Chevy Chace,
Sighers, a club of them in Oxford, N. 30. Their regulations,
, ibid. Sign-posts, the absurdities of many of them, N. 28. Socrates, his temper and prudence, N. 23. Solitude; an exemption from passions the only pleasing soli
tude, N. 4. Sophocles, his conduct in his tragedy of Electra, N. 44. Sparrows bought for the use of the opera, N. 5.
5 Spartan virtue acknowledged by the Athenians, N.6. Spectator, (The) his prefatory discourse, N. 1.
taciturnity, ibid. His vision of public credit, N. entertainment at the table of an acquaintance, N. 7. His recommendation of his speculations, N. 10. Advertised in the Daily Courant, N. 12. His encounter with a lion behind the scenes, N. 13. The design of his writings, N. 16. No party-man, ibid. A little unhappy in the mould of his face, N. 17. His artifice, N. 19. His desire to correct impudence, N. 20. ; And resolution to march on in the cause of virtue, N. 34. His visit to a travelled lady, N.45. His spe
ulations in the first principles, N. 46. An odd accident that befel him at Lloyd's coffee-house, ibid. His advice to our English pindaric writers, N. 58. His examen of Sir Fop
pling Flutter, N.65. Spleen, a common excuse for dulness, N. 53. Starers reproved, N. 20. Statira, in what proposed as a pattern to the fair sex, N. 41. Superstition, the folly of it described, N.7. Susanna, or Innocence Betrayed, to be exhibited by Mr.
Powell, with a new pair of elders, N. 14.
TEMPLAR, one of the Spectator's club, his character, N. 2.
sured, N. 42, N. 44, N. 51. Thunder, of great use on the stage, N. 44. Thunderer to the playhouse, the hardships put upon him, and
his desire to be made a cannon, N. 36. Tom Titt to personate singing birds in the opera, N. 5. Tom the Tyrant, first minister of the coffee-house between
the hours of eleven and twelve at night, N. 49. Tombs in Westminster visited by the Spectator, N. 26. His
reflection upon them, ibid. Trade, the benefit of it to Great Britain, N. 69. Tragedy; a perfect tragedy the noblest production of human
nature, N. 39. Wherein the modern tragedy excels that of Greece and Roine, ibid. Blank verse the most proper for an English tragedy, ibid. The English tragedy consi
dered, ibid. Tragi-comedy, the product of the English theatre, a monstrous
invention, N. 40. Travel highly necessary to a coquette, N. 45. The behaviour
of a travelled lady in the playhouse, ibid. Truth an enemy to false wit, N. 63. Triphiodorus, the great lipogrammatist of antiquity, N. 59. Venice Preserved, a tragedy founded on a wrong plot, Ugliness, some speculations upon it, N. 32. Visit; a visit to a travelled lady which she received in her
bed, described, N. 45. Understanding, the abuse of it is a great evil, N. 6. Vocifer, the qualifications that make him pass for a fine gen
tleman, N. 75 Who and Which, their petition to the Spectator, N. 78. Wit, the mischief of it when accompanied with vice, N. 23.
Very pernicious when not tempered with virtue and humanity, ibid. Turned into deformity by affectation, N. 38. Only to be valued as it is applied, N.6. The history of false wit, ibid. Every man would be a wit if he could, N.59. The way to try a piece of wit, N.62. Mr. Locke's reflection on the difference between wit and judgment, ibid. The god of wit dcfcribed, N. 63.
Women the more powerful part of our people, N. 4. Their
ordinary employments, N. 10. Smitten with superficials, N. 15. Their usual conversation, ibid. Their strongest paffion, N:33. Not to be considered merely as objects of fight, ibid. Woman of quality, her dress the products of an hundred
climates, N. 69.
YARICO, the fory of her adventure, N. 11.
THE END OF THE FIRST VOLUME.
T. Bendey, Printer, Bolt Court, Fleet Street.