The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular Discourse |
Co říkají ostatní - Napsat recenzi
Na obvyklých místech jsme nenalezli žádné recenze.
Obsah
Introduction | 1 |
Sartorial Eroticism and Fashion as Visual Art | 163 |
Fashion and Social Ritual | 179 |
Autorská práva | |
Další části 1 nejsou zobrazeny.
Další vydání - Zobrazit všechny
The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
Běžně se vyskytující výrazy a sousloví
addressed allows appears attitude authority becomes beginning behavior Berlin body cabaret calls carnival challenges character clothing communicate context create critical critique cultural describes desire discourse Doris Doris's dress emphasis added Ernst expectations experiences expression fashion female figure follows frame Frau gender genre German Gilgi habe humor identifies identity illustrates includes indicates influence interesting intertextuality invites Irmgard Irmgard Keun journal Judith Keun Keun's kunstseidene Mädchen language Liebe limited lines literary Literature lives Martin meaning movie narrative nicht novel offer original performance perspective play popular position possible present provides reader reading reference reflection relationship reveals role romance scene scripts sense situation social society song stage status story term texts theater thoughts traditional visual Wallensteins Weimar woman women writing
Bibliografické údaje
| Název | The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular Discourse |
| Autor | Lorna Sopcak |
| Vydavatel | University of Minnesota, 1999 |
| Zdroj originálu: | Michiganská univerzita |
| Digitalizováno | 2. červen 2008 |
| Délka | Počet stran: 211 |
| Exportovat citaci | BiBTeX EndNote RefMan |