The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
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Strana 24
... Berlin on January 20 , 1930 , and in Die keusche Sünderin which premiered in Berlin on February 20 , 1930. See Gero Gandert , ed . Der Film der Weimarer Republik 1929. Ein Handbuch der zeitgenössischen Kritik , ( Berlin ; New York : de ...
... Berlin on January 20 , 1930 , and in Die keusche Sünderin which premiered in Berlin on February 20 , 1930. See Gero Gandert , ed . Der Film der Weimarer Republik 1929. Ein Handbuch der zeitgenössischen Kritik , ( Berlin ; New York : de ...
Strana 97
... Berlin , nine revues were seen by 11,000 spectators . " The increasing capitalization of the entertainment industry led to the establishment of buildings seating up to a thousand or more spectators designed specifically for the staging ...
... Berlin , nine revues were seen by 11,000 spectators . " The increasing capitalization of the entertainment industry led to the establishment of buildings seating up to a thousand or more spectators designed specifically for the staging ...
Strana 204
... Berlin : Henschelverlag , 1967 . Hoesterey , Ingeborg . Verschlungene Schriftzeichen : Intertextualität von ... Berlin : Aufbau - Verlag , 1959 . Jansen , Wolfgang . Das Varieté . Die glanzvolle Geschichte einer unterhaltenden Kunst ...
... Berlin : Henschelverlag , 1967 . Hoesterey , Ingeborg . Verschlungene Schriftzeichen : Intertextualität von ... Berlin : Aufbau - Verlag , 1959 . Jansen , Wolfgang . Das Varieté . Die glanzvolle Geschichte einer unterhaltenden Kunst ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
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The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
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