The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
Vyhledávání v knize
Výsledky 1-3 z 18
Strana 182
... Frau Greif's conversation with her lover , Frau Greif has not yet spoken a word to Gilgi when she forms the following first impression . Kühl und hemmungslos wie ein Revuetheaterdirektor mustert Gilgi die zierliche , elegante Dame , die ...
... Frau Greif's conversation with her lover , Frau Greif has not yet spoken a word to Gilgi when she forms the following first impression . Kühl und hemmungslos wie ein Revuetheaterdirektor mustert Gilgi die zierliche , elegante Dame , die ...
Strana 184
... Frau Greif's judgement of Gilgi , or at least the role Gilgi imagines it to play in her reaction to Gilgi , is addressed in 66 6 Gilgi's " speech " to her mother . Here Gilgi sees herself as reflected to her by her mother's gaze ...
... Frau Greif's judgement of Gilgi , or at least the role Gilgi imagines it to play in her reaction to Gilgi , is addressed in 66 6 Gilgi's " speech " to her mother . Here Gilgi sees herself as reflected to her by her mother's gaze ...
Strana 186
... Frau Greif , and her own emptiness , the degree to which she has surrendered her dignity and been stripped of self respect , are visualized in the now “ nackt geschenkte Hand . " Upon Gilgi's first visit to the address of her birth ...
... Frau Greif , and her own emptiness , the degree to which she has surrendered her dignity and been stripped of self respect , are visualized in the now “ nackt geschenkte Hand . " Upon Gilgi's first visit to the address of her birth ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
Další části 8 nejsou zobrazeny.
Další vydání - Zobrazit všechny
The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
Běžně se vyskytující výrazy a sousloví
addressed allows appears authority becomes beginning Berlin body cabaret calls carnival challenges character clothing communicate context create critical critique Culture describes desire discourse Doris Doris's dress emphasis added Ernst expectations experiences expression fantasy fashion female figure film follows frame Frau gender genre German Gilgi habe humor identifies identity illustrates includes influence interesting intertextuality invites Irmgard Irmgard Keun irony journal Judith Keun Keun's kunstseidene Mädchen language Liebe limited lines literary Literature lives Martin meaning narrative nicht novel offer original performance perspective play popular position present provides reader reading reference reflection relationship reveals revue role romance scene scripts sense situation social society song stage status story term texts theater theories thoughts traditional visual Wallensteins Weimar woman women writing York