The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
Vyhledávání v knize
Výsledky 1-3 z 54
Strana 31
... becomes more intimate , it becomes a record of her thoughts and feelings as well . The journal serves as a confidante and becomes a subsitutue for human contact . Here again , Doris is following in the steps of tradition . As Goodman ...
... becomes more intimate , it becomes a record of her thoughts and feelings as well . The journal serves as a confidante and becomes a subsitutue for human contact . Here again , Doris is following in the steps of tradition . As Goodman ...
Strana 37
... becomes blurred during Doris's recovery time : " Ich bin immer müde , ich schlafe immerzu ... ich habe Lust zu ... becomes clear when she reacts to Ernst's inquiry about her with the thought , " Ich weiß über mich jetzt gar keine Worte ...
... becomes blurred during Doris's recovery time : " Ich bin immer müde , ich schlafe immerzu ... ich habe Lust zu ... becomes clear when she reacts to Ernst's inquiry about her with the thought , " Ich weiß über mich jetzt gar keine Worte ...
Strana 80
... becomes Tante Klärchen and Wallenstein becomes Gallensteine . This complex web of intertextuality contradicts Tucholsky's 35 Schiller's Wallensteins Lager , Scene 8. Sigmund Freud , Jokes and Their Relation to the Unconscious , trans ...
... becomes Tante Klärchen and Wallenstein becomes Gallensteine . This complex web of intertextuality contradicts Tucholsky's 35 Schiller's Wallensteins Lager , Scene 8. Sigmund Freud , Jokes and Their Relation to the Unconscious , trans ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
Další části 8 nejsou zobrazeny.
Další vydání - Zobrazit všechny
The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
Běžně se vyskytující výrazy a sousloví
addressed allows appears authority becomes beginning Berlin body cabaret calls carnival challenges character clothing communicate context create critical critique Culture describes desire discourse Doris Doris's dress emphasis added Ernst expectations experiences expression fantasy fashion female figure film follows frame Frau gender genre German Gilgi habe humor identifies identity illustrates includes influence interesting intertextuality invites Irmgard Irmgard Keun irony journal Judith Keun Keun's kunstseidene Mädchen language Liebe limited lines literary Literature lives Martin meaning narrative nicht novel offer original performance perspective play popular position present provides reader reading reference reflection relationship reveals revue role romance scene scripts sense situation social society song stage status story term texts theater theories thoughts traditional visual Wallensteins Weimar woman women writing York