The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
Vyhledávání v knize
Výsledky 1-3 z 26
Strana 143
... Clothing has long been connected with deceit , as in the Biblical warning of wolves in sheep's clothing ( Matthew 7:15 ) , or in the children's story of the Emperor's new clothes . In German literary tradition , Keller's novella Kleider ...
... Clothing has long been connected with deceit , as in the Biblical warning of wolves in sheep's clothing ( Matthew 7:15 ) , or in the children's story of the Emperor's new clothes . In German literary tradition , Keller's novella Kleider ...
Strana 147
... Clothes , Lurie claims that the meaning of an article of clothing is inherent in the garment itself , and that the wearer uses the garment to communicate that inherent meaning.12 This version of meaning is , however , much too limited ...
... Clothes , Lurie claims that the meaning of an article of clothing is inherent in the garment itself , and that the wearer uses the garment to communicate that inherent meaning.12 This version of meaning is , however , much too limited ...
Strana 159
... clothing , but she also allows herself the luxury of a small degree of empathy . The disdain Gilgi registers in regard to an office colleague's clothing also addresses the stringent demands of fashion . One fashionable item cannot ...
... clothing , but she also allows herself the luxury of a small degree of empathy . The disdain Gilgi registers in regard to an office colleague's clothing also addresses the stringent demands of fashion . One fashionable item cannot ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
Další části 8 nejsou zobrazeny.
Další vydání - Zobrazit všechny
The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
Běžně se vyskytující výrazy a sousloví
addressed allows appears authority becomes beginning Berlin body cabaret calls carnival challenges character clothing communicate context create critical critique Culture describes desire discourse Doris Doris's dress emphasis added Ernst expectations experiences expression fantasy fashion female figure film follows frame Frau gender genre German Gilgi habe humor identifies identity illustrates includes influence interesting intertextuality invites Irmgard Irmgard Keun irony journal Judith Keun Keun's kunstseidene Mädchen language Liebe limited lines literary Literature lives Martin meaning narrative nicht novel offer original performance perspective play popular position present provides reader reading reference reflection relationship reveals revue role romance scene scripts sense situation social society song stage status story term texts theater theories thoughts traditional visual Wallensteins Weimar woman women writing York