The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
Vyhledávání v knize
Výsledky 1-3 z 87
Strana 7
... critique underlying their humorous and free - flowing treatment of these discourses . Keun challenges the form and style of the Bildungsroman and epistolary and romance novel to voice her own personal critique of the stereotypes and ...
... critique underlying their humorous and free - flowing treatment of these discourses . Keun challenges the form and style of the Bildungsroman and epistolary and romance novel to voice her own personal critique of the stereotypes and ...
Strana 28
... critique on two levels : an oblique critique of the romance novel and its flowery , sentimental language and a critique of the language used by the elitist writer : " Warum hat denn das Schwein [ Ernst's wife Hanne ] kein Hemd angezogen ...
... critique on two levels : an oblique critique of the romance novel and its flowery , sentimental language and a critique of the language used by the elitist writer : " Warum hat denn das Schwein [ Ernst's wife Hanne ] kein Hemd angezogen ...
Strana 209
... Critique 10 ( 1988 ) : 171-99 . Segel , Harold B. Turn - of - the - Century Cabaret : Paris , Barcelona , Berlin , Munich , Vienna . Serke , Jürgen . Die verbrannten Dichter . Weinheim : Beltz and Gilberg , 1977 . Seyhan , Azade ...
... Critique 10 ( 1988 ) : 171-99 . Segel , Harold B. Turn - of - the - Century Cabaret : Paris , Barcelona , Berlin , Munich , Vienna . Serke , Jürgen . Die verbrannten Dichter . Weinheim : Beltz and Gilberg , 1977 . Seyhan , Azade ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
Další části 8 nejsou zobrazeny.
Další vydání - Zobrazit všechny
The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
Běžně se vyskytující výrazy a sousloví
addressed allows appears authority becomes beginning Berlin body cabaret calls carnival challenges character clothing communicate context create critical critique Culture describes desire discourse Doris Doris's dress emphasis added Ernst expectations experiences expression fantasy fashion female figure film follows frame Frau gender genre German Gilgi habe humor identifies identity illustrates includes influence interesting intertextuality invites Irmgard Irmgard Keun irony journal Judith Keun Keun's kunstseidene Mädchen language Liebe limited lines literary Literature lives Martin meaning narrative nicht novel offer original performance perspective play popular position present provides reader reading reference reflection relationship reveals revue role romance scene scripts sense situation social society song stage status story term texts theater theories thoughts traditional visual Wallensteins Weimar woman women writing York