The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
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Výsledky 1-3 z 82
Strana 143
... fashion discourse in creating and constructing " fashion - driven desire " and promising and providing aesthetic pleasure , all aspects of fashion discourse of interest in viewing Weimar Germany as well . Defining Fashion 66 ... daß ...
... fashion discourse in creating and constructing " fashion - driven desire " and promising and providing aesthetic pleasure , all aspects of fashion discourse of interest in viewing Weimar Germany as well . Defining Fashion 66 ... daß ...
Strana 146
... fashion " ( a Dior designer dress ) can be seen as a " model of time as change " ( Barnard 12-13 ) . Thus , someone who is interested in upward mobility " will use the latest fashions to reinforce and ... Fashion 146 Fashion as Discourse.
... fashion " ( a Dior designer dress ) can be seen as a " model of time as change " ( Barnard 12-13 ) . Thus , someone who is interested in upward mobility " will use the latest fashions to reinforce and ... Fashion 146 Fashion as Discourse.
Strana 147
... fashion : the designer , buyer , wearer , and audience or viewer . Each party brings its own cultural background , experience , and expectations to the garment and contributes to the exchange and production of meaning . " Fashion is a ...
... fashion : the designer , buyer , wearer , and audience or viewer . Each party brings its own cultural background , experience , and expectations to the garment and contributes to the exchange and production of meaning . " Fashion is a ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
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The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
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