The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
Vyhledávání v knize
Výsledky 1-3 z 83
Strana 13
Humor, Intertextuality, and Popular Discourse Lorna Sopcak. Defining Humor Before undertaking this study of humor in Keun's texts , I would like to explore the precise meanings of various terms . I have chosen to use humor as an umbrella ...
Humor, Intertextuality, and Popular Discourse Lorna Sopcak. Defining Humor Before undertaking this study of humor in Keun's texts , I would like to explore the precise meanings of various terms . I have chosen to use humor as an umbrella ...
Strana 190
Humor, Intertextuality, and Popular Discourse Lorna Sopcak. CONCLUSION As I wrote in my introduction , Irmgard Keun's writing continues to fascinate me , even after this intense , long - term engagement with her works . She possesses a ...
Humor, Intertextuality, and Popular Discourse Lorna Sopcak. CONCLUSION As I wrote in my introduction , Irmgard Keun's writing continues to fascinate me , even after this intense , long - term engagement with her works . She possesses a ...
Strana 191
... humor , how she set up a situation to crystallize its humorous essence . This , in turn , led me to investigating her ironic use of intertextuality , for a number of Keun's most effective uses of humor include intertextual references ...
... humor , how she set up a situation to crystallize its humorous essence . This , in turn , led me to investigating her ironic use of intertextuality , for a number of Keun's most effective uses of humor include intertextual references ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
Další části 8 nejsou zobrazeny.
Další vydání - Zobrazit všechny
The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
Běžně se vyskytující výrazy a sousloví
addressed allows appears authority becomes beginning Berlin body cabaret calls carnival challenges character clothing communicate context create critical critique Culture describes desire discourse Doris Doris's dress emphasis added Ernst expectations experiences expression fantasy fashion female figure film follows frame Frau gender genre German Gilgi habe humor identifies identity illustrates includes influence interesting intertextuality invites Irmgard Irmgard Keun irony journal Judith Keun Keun's kunstseidene Mädchen language Liebe limited lines literary Literature lives Martin meaning narrative nicht novel offer original performance perspective play popular position present provides reader reading reference reflection relationship reveals revue role romance scene scripts sense situation social society song stage status story term texts theater theories thoughts traditional visual Wallensteins Weimar woman women writing York