The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
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Strana 27
... identity , as illustrated in the pub episode , where Doris thinks about the impression she makes writing in her ... identities of the surveyed and the surveyor even in terms of her writing Doris poses as a writer , and in this way , Keun ...
... identity , as illustrated in the pub episode , where Doris thinks about the impression she makes writing in her ... identities of the surveyed and the surveyor even in terms of her writing Doris poses as a writer , and in this way , Keun ...
Strana 50
... identity . Her fragmentation , the slow unraveling of her identity , results from her inability to accommodate or negotiate the ambiguities and disparities between the media myths in which she has invested herself and the reality she ...
... identity . Her fragmentation , the slow unraveling of her identity , results from her inability to accommodate or negotiate the ambiguities and disparities between the media myths in which she has invested herself and the reality she ...
Strana 188
... identity to Martin's whims and fancies is clearly and sadly expressed in Gilgi's admonition to Martin : " Martin , meine zwei Zeigefinger sind alles , was du mir von mir gelassen hast " " ( G 90 ) . This statement sounds dejected , but ...
... identity to Martin's whims and fancies is clearly and sadly expressed in Gilgi's admonition to Martin : " Martin , meine zwei Zeigefinger sind alles , was du mir von mir gelassen hast " " ( G 90 ) . This statement sounds dejected , but ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
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The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
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